food, humor, photography

the ingredients and the tools

An amateur photographer went to a dinner party. He took some prints to show the hostess who exclaimed how beautiful they were saying, “These are great! You must have a very good camera.”

The photographer said nothing.

When the party ended, the photographer told the hostess, “That was a wonderful meal. You must have some great pots!”

Sometimes . . . yes – what you use to get the job or the joy done is the discerning factor. But mostly, it is what is in between those four invisible lines that creates something delicious and delectable to the eye and the heart.

photography, writing

lyrical snapshots

while my camera is charging
while i am re-charging.
i’ll just start scribbling the words down,
and deliver prose.

i always liked writing.
pictures are not provided –
well . . . they are coded in symbols
that make words
that hang together in sentences
and create meaning
one has to invent the image in their head.

i hope you can see
what i saw.

nature, photography, weather

creature feature

i hope i don’t bore you all
with the billion bugs
and the few thousand flowers.

should i go photograph buildings
or portraits
or industrial scenes
or road kill?

as a writer, i tend to write what i know
and what – photographers shoot what they see?
so YOU see what i SEE, i suppose.
and though i do have concepts
i have mostly fortunate scenery . . .

i see five acres of forest,
i see horses and trees and flowers
i see explosive colors everywhere
and everywhere i go i see
a picture.

today while driving i saw
a lightning storm
a rainbow
a row of trees
blinking on and off with
the million green lights
of fireflies
a once impeccable white classic car
with hanging fuzzy dice
badly wrecked on the side of the road.

and i wonder at how to capture it all.
and will i have time?

art, film, photography, tv

fizzle-pop

passions just trying to keep up with pursuits, and it gets so tiring, to be constantly switched on and open, alive like tripwire. looking for that vision of loveliness, that perfect lover, that not so dead-end thankless employment, the perfect shot.

fizzzzzzzzle-pop.

i watched John Malkovich on Charlie Rose tonite and he was talking about his directorial debut some interesting passionate socio-political artistic hopeful masterpiece and he said something about cinema that can also relate to art, fashion, media, photography:

“the image is a currency widely overused.”
i can relate . . . abso-ipso-facto-fucking-lutley.

it can’t all be beautiful, crystal clear. we cannot be so entirely self-satisfying, it’s not all about the collection and obsession with an image (or many). the faces/pieces that we wish to capture and parade ourselves as.

soon enough, it will all be spent . . . and you may reach the end of production and end up with: Excretera: more of the same old shit. one of them is bound to disappoint someone. and it may fizzle-pop in shameless embarassment. or it may continue until it burns into fodder for dreams. milky, watery snapshots of some previous life.

i try to keep this is in mind as i wallow in my own ‘artistic stench’ as it were, tangling through numbers, wrapping my head around financial happenstances while somewhere else some fuck-off ‘brilliant’ tries to figure out how to propel paint sideways, 80mph, from his naked wang, onto canvas, bleaches his hair, wears tin-foil jockstraps and claims previous institutionalization for charm and effect and gets a gallery show. finger-snaps all around my pretties.

experience is your goddamned portfolio,
not the pictures of it.