gardening, language, nature, poetry

Interpretive Word Clouds


Algorithms and word clouds are good for poetry. This one is supposed to represent my most frequently used words on Facebook in the last year.


His name,
David
at my center,
dark blue time to my left and pale blue thing to my right,
years gone sideways.
Below me,  the entire garden and found light
in flowers and forest.

A wolf person producing water
underneath home goldfish, dolphins
a language dance, deep and large
life

love

work
and a word so small, I cannot interpret it.

Clinton / Sanders campaign
a paper cowboy picks freedom
country and world float above golden choice
news morning:
people and change loom large in violet
with small and dark floating thoughts
species turned
feel good song,
drunk and pretty.

FEATURED, friends, language, love, marriage, pets, psychology, relationships, writing

Characterized as Vulnerable

vulnerable-chinese

I sat waiting for my lunch to be ready. Closing my eyes, the sun warming me, honing in on nearby conversations.

“It was just awful!”

“Do you want to meet later?”

“We have to get back soon.”

“What are you hungry for?”

And then, “Think of a Chinese word you’d like to see written.”

Two young women, students conducting a written language experiment, held a small, dry-erase board and the woman in the steel-grey wool skirt looked sheepishly to the man-in-tow standing next to her, scanning his face for a word, for approval.

“Tomato,” she smiled and shrugged.

What an uninteresting word,” I thought to myself. Clearly, hunger and condiments dominated her thoughts to choose such an oddly simple thing.

The student began to draw the two characters, then handed the board to steel-grey skirt and asked her to draw it, to copy the lines in her own hand.

“Like this?” She fumbled through and the student asked to take a picture of steel-grey skirt holding up the sign, which she obliged after being assured it wouldn’t end up on the web or Facebook.

Steel-grey skirt and man-in-tow collected their lunches and wandered off back to their meetings and spreadsheets and before the students could walk away, I volunteered, “I have a word I’d like to see.”

“Great! What’s the word?”

“Vulnerable.”

“Oh—I’ll have to look that one up, it might be kind of difficult, the Chinese don’t really have an expression for that. Well, depending on the context I guess.”

“I suppose weakness is not a good emotional or political stance,” I mused.

She typed it into her phone where there must’ve been a pinyin and symbology translator of sorts and she mumbled, “Ah, hmm, that’s really pretty.”

She sketched out what looked like two number 5s, curved, bent and spooning, little animals with two quick hatchmarks in the coils and crooks, something warm in their bellies perhaps.  The second symbol, like a little house on stick legs, or a bird laying in a field of short reeds or soft, matted grass, or a boat on uneven waves jutting a mast with no sail attached.

She handed me the board and it was my turn to draw.

“Very good!” She encouraged. “You could do calligraphy.”

And I suddenly thought of my high school art class, how I attended my prom for free because I volunteered to hand write every student’s name in my graduating class and their respective date’s name on folded white cardstock for all the seating arrangements at the dinner tables. How I painstakingly wrote every letter with a copper pen tip, sinking the nib into a bottle of crow-black ink, scratching out letters and then with a glue gun, affixing a black bow-tied ribbon and burgundy rose in the corner of every one.

She took my picture holding up the board with “vulnerable” written twice and asked, “Why are you so interested in this word?”
Tomato-HeartI considered the tomato. Heart-shaped, red, plump, viscous inside, thin-skinned, vulnerable and thought perhaps, it wasn’t such a bad word after all and I said, “I think objects are fine, but I am more curious about concepts, especially emotional ones that are difficult to describe with one word. Like love or home or wonder.” I thought about how big ideas cannot, should not easily be boiled down, compartmentalized, or compressed into a single word or worse, an acronym. Americans are really fond of acronyms and especially mnemonics, trying to make big ideas memorable, and easier to digest, when really, what must be done is some digging, some spelunking, some serious unpacking followed by a gentle examination of all the parts.

I thought of other languages where speakers might have cultural differences and difficulties expressing emotion. For instance, one way of responding to the everyday greeting of “How are you?” in Russian is to say ” I am not unwell.” As if, already expressing in the negative was a way of conveying strength. Things could be worse. I’m not dead yet. My friend told a story where in high school, a Russian exchange student staying at his home was being chastised for taking her host family’s young  son out to play in his school clothes on a rainy day. His mother wasn’t at all happy that they had returned so filthy, caked in mud and muck, but the Russian girl sweetly explained to the mother, “he is not unwashable.”

What does it mean to be vulnerable? To be “accessible, assailable, defenseless, exposed, liable, naked, on the line, on the spot, out on a limb, ready, sensitive, sitting duck, sucker, susceptible, tender, thin-skinned, unguarded, unprotected, unsafe, weak, wide open, open to attack.” Why is there no strength in vulnerability when it takes all the courage in the world to allow yourself to let something, some ideas, someone in? To yield with grace to the often terrifying, ever-shifting locus of love, of home, and of wonder.

All three of these ideas have changed greatly for me in the last several years. Losing a beloved pet to cancer, losing a home by being priced out of the neighborhood, losing a job and a marriage; and all of these losses and changes at nearly the same time.  It was like witnessing all the love and home and wonder I nurtured suddenly evaporate out from under me. There was a serious unpacking. There was a gentle examination of all my parts. Especially the ones that went missing, where I identified myself.

I thought of many loves lost in my youth, how some of the most tender pieces of me were carried off by wild wolf boys and buried like edible treasure to devour later. How sometimes there were wounds I ignored and over and over I had to revisit the same old traps that closed upon them to extract myself very carefully so as to not lose more pieces still. Sure, I came out licking my wounds, scathed and dirty. But I emerged whole. 

Turns out, I am not unwahsable. I am not unwell. I am still hungry and I am getting reacquainted with wonder. I have redefined home. I still don’t fully understand the nature of love, but I am very much an eager student and believer of it in all of its necessary function and beautiful, new forms.

And I am still quite vulnerable.

language, love, psychology, relationships

memory is paper

memory squared - images from 8mm ideas

memory is paper . . .
a thin veil against light
scribbled on colored in
(sk)etched out painstakingly
noted between thin
blue and thick red dashes
indications of lines to cut,
lines to stay within.
written rubbered
stamped erased
embellished boldened
copy / paste.
stained concentric
circular rings starting
then stopping time with
morning coffee
afternoon tea
nightly wine.
catching daily glimpses
accidents kisses
burning ashes
blotted lipstick
greasy finger smudges
chocolate sundae fudges
addresses atlases figures
nonsensical doodles
ramen noodles and
algebraic triggers
holes in happenstance
burgeoning romance
all fighting
all fleeting
all fury
and fishes
swimming circling surfacing
smiling sobbing stopping.
trailing off to an ellipses . . .

~ Andrea E. Janda

Thinking of You - image from 8mm ideas

death, dreams, health, language, myth, nature, philosophy, psychology, technology

Exquisite Cognomen or “How to Name Our Pain”

i am not politically inclined to comment.
i am not so easily terrified by ‘terror.’
i avoid most news to maximize joy.

but i have some thoughts on these things,
in grand universal brush strokes . . .

:::   :::   :::   :::

Exquisite Cognomen or “How to Name Our Pain”

In the world, there is forever fever:
We read the signs,
blazing in historic orange.
We straddle our majestic fates,
ride our caution horses up to the edge,
and prepare ourselves to be known,
We drop our weapons in the dust,
and unveil with the other prairie dogs—a global disrobal.

We read too much tar for no pleasure,
while we patch ourselves up with nicotine band-aids.
We let the talking heads scare us into the show,
We become cancerous clowns in the tumor circus.
We cannot duck and cover in the Alcoholocaust.
We cannot stay dry in the headswim of worry
and forward motion.

Compartmentalization leads to:
rubix cubicles,
paralyzed prizes,
spastic plastic,
and Tupperware death,

All the ever meanwhile,
Howling sweet exultations
and consuming quietly our consummations
so that we may die pure
and be saved by our cleverly patented,
widely acknowledged,
billions served,
guaranteed
one-hundred thousand mile drive chain
Luxury Christ.

When we hunker down
And cast our last breath under the elective curtain,
when they unearth our sterile bones,
will they say they truly understood what fine
encyclopedic creatures we were ?
Will we leave bones?
Bones for wolves to make soup,
for women to make breastplates,
and for men to make cages to keep their wolves
and women warriors in.

They may see the hinted drop stitchwork,
the soft, green loop to crochet the new world from,
but will they want such a pattern to follow?
We who all succumbed to communal self-butchery and burnings.
With the burden of our knowledge,
clinging to our near-death faces
though we wake in the night,
suffering insomniacs,
bloated and blue,
—information gorge syndrome—
well coax the current thickening lump and swallow,
and fall back against another chainlink, razorwire
skinless sleep.

Well, for now, caustic dreamers
of blameless, paranoid, age-defying landscapes,
let us multi-task our spiritual trash,
complicate the workable and fertile into fiscal orgasms,
and reduce our grand and beautiful ideas to slogans and acronyms
that suggest other equally unplugged words.

Let us muck around in newfound dark,
continue our acid intercourse,
bring our weary and our winded before our glittering
revolutionary hearth.
But we ask that you ask your loved ones to cover their nettles,
so we cannot trace the frightening highway back to the ocean,
or the forest,
or the desert,
so we do not name the extraneous scar across the trellis of a thousand nations,
so we will not offend our impressionable guests
at dinner date death,
so we cannot recognize our very same,
unrefined pain.

How do we not weep when we know our name is like a dirge,
strangled from threadbare angels.
The earth groans under our weight,
impregnated again and again with a stifling humanity,
eggs rolling off the edge of the earthen table
set by Columbus—
tiny, hopeful, rudiment vessels,
unpacking the cargo of the daunting future
while crushing the orange partitions of the past.

food, language, myth, relationships

ex nihilo

when i couldn’t speak
she drew me a circle
there were no words to communicate
the shape i didn’t understand
but her circle did not close
and it turned outward on itself
and i was sad to see it
stop.
she called it “spiral”
and i begged for her to complete it
until it reached the ends of the paper
and continued on to the table
and pooled onto the floor,
heavy like honey.
she pointed to pasta and said it again
she held up a loaf of bread and smiled
and the word spread across the face
of a warm round slice
like butter.
then to dessert and moved her mouth
as if to kiss
and motioned towards dessert and said “swirl”
to the red and yellow
giving spiral a surname
an “S” alias whisper with an “L” for a tail
that taps the roof with her tongue
and runs down the slick back of teeth
like a secret.
i learn her language
and the shapes move out to where
i can no longer see the edge of her world.

~ Andrea E. Janda

art, food, friends, language, pets, photography, technology, tv

how the light gets in . . .

Marcy and i, while talking half-asleep and witless on the phone late one nite this week invented a new word. it was an accidental slip on her part, where procrastination came out as . . .

procrasturbation (v.)

1. to carelessly postpone a trillion tasks under the feigned assumption that there is too much to be done in order to accomplish anything meaningful and instead occupy oneself in pleasurable tasks or hobbies.

2. to put off an innumerable and staggering amount of seemingly important tasks to the point at which even getting oneself off equates as simply another chore that cannot be accomplished out of general mental fatigue.

and that about sums it up for me :nod: and more, it opens the discussion for the balance between work and play and money and time and bigger than all of that combined – how do you choose to be defined in your most perfect expression?

Well – fuck . . . let’s see. What’s been going on?!?!

Since my last journal VERIZON fucked up and powered down for another four-day stretch, leaving me in the lurch and without the internet while my sister, Racheal visited me during the 16th-19th. She was in from West Hollywood, just here for a quick weekend jaunt and we had a great time. She is my BIG little sister. 30 – a green-eyed, blonder, taller version of me.

We ate a great dinner on the nite she arrived, slept in, watched some HBO and comedy, had Marcy and her new beau over for dinner on Sunday, and i took her out for Monday 1/2 off bottle of wine nite to meet a gaggle of my girlfriends, where we sat on a garden patio replete with a fountain and strands of Christmas lights in an Irish bar. We spent some time in Friendship Park stomping through the woods and around the lake, chasing butterflies and bugs and frightening mother ducks who are nesting (and hissing!)

Generally we just kept it easy-going and relaxed.

even Odin participated.

But getting back to the net and all its glory – question for anyone out there . . . i have made the Mozilla transition to Firefox, which i love and even downloaded a fun browser theme with little red cats on it. Has anyone tried Thunderbird, their email client? Let me know if you have and what you think.

And now – the drama, the sound and the fury . . .

A big hug and kiss to Anne-Marie for sending me some great new music to include, Chemical Brothers – Push The Button; Garbage – Bleed Like Me, Thievery Corporation – The Cosmic Game, and the last round of Zero 7 – Simpler Things, i also thank her deeply for being back around and for reading that BIG ASS scary bookish letter i sent her.

Despite that it’s on FOX, and i don’t typically dig hospital dramas, i have to make a plug for a television show i adore. If you aren’t watching House, M.D. – you need to see a doctor, and if you had to see one like Dr. Gregory House, you might get an actual dose of harsh, real-world advice. Hugh Laurie stars, and he is brilliant, biting, misanthropic, and in some strange way, dead sexy. There is something interesting about a contrary physician with an open drug addiction, a walking cane from an injury you don’t understand, and despite an inability to show direct compassion or love, an underlying deep depression and ornery disposition, he subtly reveals that he cares greatly about lives and saving the most difficult cases. Oh physician – heal thyself!

Ah – and then there’s Deadwood, where people die needlessly and inexplicably, every day. A perverse beauty, wrought with a highly-crafted language of filth and antiquity all its own where the players have recently taken to soliloquy with severed Indian heads and tombstones of dead gamblers. Indeed – it is not unlike vulgar Shakespearian verse, if you give it a listen . . .

You may see a theme here – i like the idea that ugliness can be a mask for beauty, and that practice and improvement in the face of almost certain hardship is imperative, but more – despite all the horror, we still have to strive for the pretty parts. We cannot succumb and be broken utterly. We must succeed and transcend. And that is where our ‘art’ or trade or practice of the thing we do best comes in . . .

My friend Megan, a dancer and singer by trade recently mused: “I have realized that I shouldn’t abuse my art, and use it as an avenue for my own personal therapy. I have been blessed with talents, and I should use them to bring joy to other people. Whether it’s dancing in a new piece, or singing in a smoky bar, if I bring a smile to one persons face, I’ve done my job.”

And it got me to think about when i was young, how music, drinking, painting, writing, even poor choices in partners and the lukewarm, plasticine, one-sided sex that came along with it, it was all therapy for me and i was afraid that if i wasn’t suffering, i wasn’t existing, therefore i wasn’t creating; i was unable to express myself unless i was hurting and only an open wound meant that i was alive and feeling the world move.

Now . . . well – i hope that my expression has a brighter tone, and maybe, it will be therapy for someone else. Perhaps this version could be the reverse, the negative model shot through with light to adhere to while still others are busying themselves with darkness and drudgery.

It’s not always about the personal gain, about what you get from yourself and what fortune (or misfortune) it produces, if that’s your aim, but it is more about what you bring to the table, what you produce and put out into the world as your purest expression with the most perfect intent, that of bringing joy, of sharing your joie de vivre, of sharing your vision, be it a bit cloudy, muted and difficult at times.

Everyone has a story, everyone has had their personal hell, and so much of music, so much of “artistic” expression now deals with challenging the psyche, insulting the sensibility, wearing our wounds as badges of pride, stripping down the emotional content to its horrible base so that people feel angry, upset and drained. So that they are reminded of what it is to suffer and to mistakenly claim, to their own damage, that it is pretty somehow. Suffering is apparent, pain is necessary, yes – but it is NOT the desired or correct state, purpose or constant in this life. And if it is – you’re doing it ALL WRONG.

Frankly, im exhausted by it. Limp Bizkit, photographers featuring dismembered animal parts as some supposed statement about how we use and abuse animals (though she commits the same crime and outrage by creating her “art” in a pantomime of challenging the double standard), painting that is so fucking clunky and graphically repetitious, unstylistic, having no form or worse, no personal intention or meaning, writing that is so cryptic and impenetrable, you have no idea who created the secret club or where the decoder ring is, but you are definitely not in the know or the cool or the hip or angsty enough. “Art arouses thoughts and poses questions that are necessary.” To be beautiful but frightening or repugnant does not always reveal to us that “beautiful things hide some sort of suffering.” it may just mean that it took some suffering to find beauty, or that beauty became whole and is showing its true face now. or that someone or something has always been sublime and just a bit divine and we should move ourselves with all of our energies to arrive at such a state.

i just cant relate to most of the aforementioned unprettyness, but i will strive to tolerate so i can understand where i have been and what it means to hurt in order to arrive at a bright place.

so again i ask the question – how do you choose to be defined in your most perfect expression? and i have learned that for me, it is not to be perfect, to instead be a little off, and to always be a whole lot of me.

it is my task to contemplate on what it is to constantly improve, what it is to allow for just the fracture line and not the gaping wound, to understand the balance.

i leave you with Leonard Cohen:

forget your perfect offering,
there is a crack in everything,
that’s how the light gets in.

~ Leonard Cohen

language, myth

Blarney

the following is from my Dictionary.com WOTD – Word Of The Day message and appropriate for St. Patrick’s Day

BLARNEY (Noun)

Pronunciation: [‘blahr-nee]

Definition 1: (1) The gift of eloquent speech; (2) empty words, double-talk, fabrication, nonsense.

Usage 1: The first meaning of today’s word has all but faded. To express this sentiment it is better to say that someone is ‘blessed with the gift of the Blarney Stone.’ “Blarney” is used today most often to refer to deceptive flattery or exaggerated fabrication.

Suggested usage: The migration of the meaning of today’s word illustrates our skepticism of eloquent language; however, if you make it clear you are referring to articulate speech, the original meaning emerges: “Fiona got her gift of blarney from her subscription to yourDictionary’s word of the day and not from kissing a rock.” However, if you omit that qualifier ‘gift,’ the word takes on a radically different meaning, “That story of how he completed his PhD at Harvard in 2 years is pure blarney.”

Etymology: Today’s word is an eponym from Blarney Village just outside the city of Cork, Ireland. The world famous Blarney Stone is perched high up in the battlements of Blarney Castle there. The stone was given to Cormac McCarthy by Robert the Bruce in 1314 in recognition of his support in the Battle of Bannockburn, depicted at the very end of Mel Gibson’s ‘Braveheart.’ Legend would have it be half the Stone of Scone over which Scottish Kings were crowned.

language, writing

let’s pretend . . .

you have a new name
you NEEDED a new name
and maybe the old one
hung off you like a bad suit.

so did you ever wish
you were named differently?

or just gimme nonsense.

language

. . . favorite word . . .

my favorite word today is
VERMILION
sounds like it means
so much red,
you can’t count.

But say it slow for me, for yourself and note:
how it makes you almost bite your bottom lip
you pout the V out and open with the R
and moisten your lip closed with the M
open again and tongue your teeth with the L
smooth your tongue in the middle for the “ya”
with the coupled L and I and back to the roof
of your mouth with the N to close the word off.

it’s a work out, a rather sexy word
if you let it be.

now – give me one of your favorite words.