On Moorea Masa’s debut collaboration with J. Most, she moves into her R&B realm with a clean, crisp, almost symphonic song with plenty of room for fingersnaps, strings and sumptuous harmonies. Finding space to grow, listen now and stay tuned for more new sounds from Masa.
Every garden goes through its cycle of life. There’s the zenith of growth in summer, a gentle decline and falling away in autumn, a death or mere sleep in winter, and rebirth again in spring. So it has been for folk-soul singer Moorea Masa herself and her newly released track, “The Garden.”
Seeds of this song have been sown in various forms beginning with an acoustic performance set in a field of wildflowers as part of Chuck Johnson’s Humboldt Live Sessions in the fall of 2015 . . .
February is and in my case WAS such a short, sometimes brutal month. Then you have March, which does the ins and outs of wild predator to tame sweater maker. But in the short month of February i packed in a lot of healing, writing & music readying myself for the tempest of March.
Qi To The Kingdom . . . Or, i Am A Tiny Pin Cushion
i began seeing an acupuncturist to well, to unfuck my qi. Being a stickler for detail, i’ve kept a calendar since my surgery detailing and tracking my symptoms, moods, foods, internal movements, etc. i’ve been drawing a gradation of faces from frowny to flat to a simple upturned bow to smilies with big dotted eyes and a row of piano key teeth. i doodle and color my calendar with markers, moods, faces, any sign of discomfort and yes, even when i poo to be consistent with patterns. i do this NOT to become the obsessive spaz, holding onto illness like a war medal, but to determine severity & frequency to see if i am improving or moving towards healing. And if not – to do something very proactive about it.
My acupuncturist is a very kind man who went over my extremely detailed laundry list of complaints and undesirable changes in my body. We talked for over an hour before he even put a needle in me. Hardly any practitioner of any healing art, takes the time and energy to do this; there simply is no time to listen or touch or get all the detailed information that forges the craft of a good diagnostician. This is especially true in Western Medicine. Which is why i chose the modern miracle of Western Medicine for surgery and the centuries old Eastern Philosophies for healing.
“Wow, this is great,” he said, scanning my list of dates and list of maladies, “No one does this. It’s really organized.Very helpful.”
He went over the whole page with me.
Once we figured on a plan of how acupuncture and Chinese medicine could help me, i felt a sense of calm purpose, and he began tapping hair-thin needles into my legs, wrists, shoulders, neck, ears, all along my abdomen near the floating ribs and liver, a few near my stomach, even some threaded underneath the scar tissue on my stomach to soften and flatten.
Then he took what looked like a big black crayon, a half-smoked cigar, or a pointed smudge stick. It was moxa, heated Mugwort which he applied near the needle tips to send heat into the acupuncture points. It felt pretty wonderful actually. My stiff, knotted trapezius muscles softened, nausea vanished, headache faded and my stomach and bowels were still and calm. This last visit, i told him i had a creaky knee, he touched around, squeezed lightly and asked if i had been using my quads to do some lifting and bending the day before. It was true as i recalled all those half squats in yoga and he stuck one in for that. i also expressed difficulty falling asleep, and damn it i LOVE me some sleep, so he tapped a little silver needle right into the top of my head to clear the airwaves. Then he put a crinkled mylar blanket over me: light as air, silver as Mercury and i lay there, a little Fembot, conserving heat and energy under my quasi-futuristic Austin Powers blankie.
i feel like things are definitely improving inside. Much calmer and less symptomatic. yoga’s been great, food is becoming my friend again, acupuncture seems to be helping and i’m taking a Chinese herb called Shu Gan Wan (liver soothe) to stop my liver from being so pissed about my gallbladder being gone. They are miniature versions of Whoppers chocolate malted milk balls, but they taste like curry. The most interesting visual diagnoses delivered upon me: liver invading spleen and liver invading stomach. Not a bad way to think about it really. The way the Chinese see it accurately describes the miniature battle that’s been raging in my guts since surgery. In the 2 days following treatment, i’ve sometimes felt an internal struggle for domination, like there are knots being untied, like i’ve been damp and bit drowned inside and then i come out the other end and it’s all Snow White & bluebirds. i have more energy, i get ravenous and my outlook improves.
i’ve added a Calcium, Magnesium & Vitamin D supplement combo (what a horse pill), A Vitamin B complex & Spirulina. Rather than those amber bottles clogging up the cabinet, i now rattle vitamin supplements onto a little red dish in and effort to boost my immune system and well-being. i would say i’m at about 75%. i guess i’m just looking for time and worry to pass and toss me the other quarter.
Usual Suspects – Netflix – Matrix – Conflicts
i’m still unemployed, but trying to occupy myself. If i didn’t have yoga or the occasional social outing with Joe and his work mates, plus Tiffany & Chelsea, i’d be a house mouse for sure. Of course, this may change when Spring comes into full bloom and i expect it to. i can see happy little yellow & purple crocus poking through in the backyard, so there’s a spot of sunshine yet . . .
i fire off about 4 resumes every other day. Then i hear stories about how an ad for a front desk position at a local yoga studio garnered, not 6, not 60, but SIX HUNDRED applicants and i get to thinking, unless my email arrives blinking or on fire, there’s no way i’m getting noticed. i applied for a local position at a Chiropractic office, found my best business casual with a little Portland funk and showed up in person to the office where i found myself on day one of two amidst a light cattle call. 5 women were already standing in a room like Star Search & American Idol contestants, beauty pageant finalists, the weakest link, a lineup.
And it was the usual suspects. The over-bleached & frosted tan woman with alligator handbag face (too may hours poolside) drinkingCoors Light, guilty of wearing fluorescent cotton jumpers, coral lipstick and hair scrunchies, probably just relocated from the Carolinas or Florida. The dumpy girl in business casual, pock-marked, unremarkable, practically invisible, hunched back from self-deprecation, flinching & shying from imaginary social punches, shifty, downcast eyes and shuffling feet looking for a nice quiet office to answer phones in, listen to soft music, eat bologna and American cheese sandwiches in and hide. The Sweetie-pie mouse girl, flat brown hair, doe-eyed, squared off chiclet-smile, high-pitch, pedamorphic voice both docile and simmering. The other two women were variations on a theme. Background noise. i was just waiting for the talent portion so i could showcase my baton twirling.
The rotund, possibly former high school football coach now Chiropractor with soft, spiky, salt-and-pepper would-be-Mike-Ditka hair shuffled through our resumes like quiz sheets. Doctor Ditka then asked each of us if we had undergone any chiropractic work and for what ailment. Turns out i was the only candidate who hadn’t been cracked and i couldn’t tell if this fact was a help or hindrance to my cause. No previous body work and one couldn’t truly expect to explain the process or how it feels. Previous work and you may just be looking for some free medical care.
Then the assistant spoke up. She was Doctor Ditka’s little frau, and i caught her checking out my legs in black tights and eying my skirt up and down. She made a lot of eye contact with me but probably because i was taught it was polite to look speakers in the eye. Even when they’re addressing a group.
She went over the finer points of duties and representation at the job, stock still and legs straddled with a clip board held in one hand and wedged into her belly like she was about to call off a cheerleading squad roster, or note how slow your last lap was, or go body surfing. Except, this was winter and she wore burnt-caramel suede & beige fur boots, tight blue-black jeans belted off with a strap of leather i imagined she could unbuckle and snake through her belt loops to beat you quickly with. It was all topped with a grey angora sweater. A snuggly little snit, a real fuzzy blowhard, probably a former stoner, rock chick & bully known to sit on the smaller, smarter girl’s chest at school and bloody her nose for her.
i quickly assessed who was in charge of this operation and it wasn’t Doctor Ditka or the nice older woman smiling at the front desk. After receiving frau’s full up & down measure, i also knew that job was not going to be mine.
People aren’t going out much, home entertainment and movie watching is up, and this is true of me as well, so i applied at Netflix for shits and giggles. They called within hours and scheduled a phone interview. Apparently Netflix is a rarity in corporate customer service. They decided to employ human voices, eliminated e-mail-based customer service inquiries, chose not to outsource or go offshore, and set up their big call center in Hillsboro, Oregon “because it thought that Oregonians would present a friendlier voice to its customers.”
So, i had a nice chat with a woman who conducted a phone interview, went over some of those basic, “tell me about how cool, calm, successful and how much of a suck-up, pretty little cog, team player you are.” And then she asked two strange questions. “Would you like to be considered for a second interview?” Oh, no thanks Judy, i’d like to stay in my pajamas all day and ask my poor working husband to bring me bon-bons and tampons since i’m not a financial contribution to the household, but this has been a real hoot, thanks for asking. And,”Would you like to work in a call center?” Oh, yeah, i mean, i dream of sitting in a desk with open cubicles in a sea of heads wearing headsets jacked into the hive mind, assimilated like the fucking Borg, pausing just enough to slurp down a salty, stryofoam, pseudo nutrition container called Cup O’ Noodles and get right back to it at any time in the 24 hr span you’re open. Who needs a circadian rhythm, right?
But i answered safely, and quite honestly. “i’m highly efficient and i think i am fully capable of working in a call center.” Translation: “i am made of sturdy human material able to withstand the inquiries of irate morons and confused grandmothers and techless luddites. i am able to hack the necessary mundanity and the flexibility to talk to anyone from any walk of life even if all they want to do is talk. i am a meat popsicle. And yes, i will do it for $12 an hour.”
i wasn’t going to lie about it. What we want and what we are able to do, are often quite different. i want for things i am unable to do and i am able to do things i don’t want.
All of the above line of inquiry is mostly about touting one’s own work ethic, But i wish i had known about Chelsea’s latest answer to the interview question, “What do you consider your weakness.”
She simply rolled her eyes, tossed her head softly, sighed and helplessly replied, “Chocolate.”
Foolish Words, Bird Song & Shiek Music
Joe, Chelsea & i went to see Christopher Moore as he stopped in on Powell’s Books in Beaverton, touring in support of his new book, Fool. He didn’t read excerpts, but DID regale us with funny stories as any good jester would.
i waited for a little over two hours to say hello and have him sign my book, while i fumbled through half stories of the times his writing kept us entertained on road trips.
“Hi, we’ve met,” he said.
“Well, i comment on your blog.”
“Right, well, good to meet you in person.”
He actually recognized me, i think, and probably through pictures but maybe he says that to all his MySpace / Facebook buddies. So i dropped him a quick public thank you:
‘thank you SO much for coming out to Portland (Beaverton) and staying so long to sign books and chat with everyone.
i was terribly flattered you remembered me from photos here and said i’d looked familiar. (probably from blog comments). i’ll be riding that cloud all week . . .
i really enjoyed your stories (“sorry”). i also really enjoyed meeting you in person since, like a good friend, you’ve made me laugh at so many times in my life.
i probably should’ve said that, but you know, the mind goes blank in the “awkward moment” that accompanies book signing as you put it.
also, i probably should’ve offered to take you out & feed you, since they had you shackled to a podium then a table so long, but didn’t want to imply an undue familiarity. just sayin’.
next time . . .thanks again!‘
He was kind enough to write me a quick personal message back, which, as i informed him, made my millennium. i wonder if he’ll read this . . .
That same Saturday, Joe & i went with friends, Janet, Adam & Hillary out for a nice little dinner at Thai Peacock at then to see Andrew Bird at the Roseland Theater. i will not bore you with my full-blown review because, as anyone who knows anything about me, i am a HUGE fangirl of Mr. Bird and can gush at great length. Suffice it to say, it was one of the warmest, most intimate, tightly performed and emotionally charged shows of his i’ve ever seen.
Five days later, i’m sitting quietly at home reading my email when a blast comes through from the Aladdin Theater for FREE tickets to see, Duncan Sheik. Do you all remember him? Sudden unexpected pop heartthrob who put out “Barely Breathing” then apparently went on to compose, quite successfully, for film & Broadway musicals. Somewhere in that road he found Buddhism, explored his pop-roots and electronica and went from blue-eyed crybaby crooner to what appeared on stage to be softshoe hobo, railroad vagabond. Complete with floppy hat. No offense, but i like my pop-candy to be a little more polished. Even so, he was soothing enough and perfectly entertaining, particularly when joined onstage and accompanied in harmony by pianist/vocalist Holly Brook, a spritely, red-headed songstress with an easy voice who perked my ears with “Mama Who Bore Me.” i thought she sounded like those pitch-perfect singers on Broadway and indeed, the song is from Sheik’s Spring Awakening and was sonically delivered as such.
He seemed humourously self-aware onstage, in that sort of clumsy, rushed and fearful of rejection way that makes you check your fly and crumple your hat or roll a piece of paper into a straw. He began every introduction with, “Ok, so . . .” then while fiddling with one of 5 guitars, explained the song’s meaning and context as it applied to storylines in one of two Broadway plays he wrote music for. Then he’d crack a small joke or two, launch in, finish and begin again, “Ok, so . . .” Here and there he sprinkled in familiar pop tracks and love songs.
It struck me while i was awash in the soft repeating flow, that certain artists have a “sound” and so, i found myself trying to figure out the landscape of his music, the places i went to, the things i imagined. That sound for any given artist can be mathematically complex, assaulting, heart-beating, ass-wiggling, spirit soaring, a warm bath or just plain vanilla. Music to vacuum by. But it occurred to me that Duncan Shiek’s music, nearly the whole of it, sounds like a day at the beach, and not all the sunny, splashy, sandcastles & coconut lotion bit. But the white noise of the ocean, the call of circling birds, the cool that moves in around 6pm after a long day of swimming and sunbathing, the blue sky gone grey and overcast, the part of the day where you are tired and melancholy and have to pack up the blankets, shake out towels, rinse your flip-flops in the surf and walk back half a mile to the car with sand on and in unpleasant crevices. And you didn’t even get to stay and watch the sunset with a good bottle of wine, because the kids were whining, because the wind kicked up, because a storm moved in, because your lover/wife/husband is not who you think they are / hope they’d be. That’s what it sounds like.
But boy, the people were into it. And probably vacuumed up sand to it regularly or settled in with a pint of Vanilla. You know, after the beach.
To his credit, Duncan Shiek is a fine & thoughtful songwriter, he’s just not as deeply provoking as some. Gold star finish though – he ended his encore set with a most righteous cover of Radiohead’s “Fake Plastic Trees.” Finally, something real.
Welcome to the world of big monsters in pants and big possibilities!
If my SPAM is any indication of my shortcomings then i definitely have a small penis and should do something about that if i ever intend to satisfy ANY woman. i should also invest in discount Viagra & Cialis to keep my new size erect and in check. And if i really want to impress, i need “a status symbol of today” because “an expensive watch makes a huge difference socially and at the office.” Because, people look upon an expensive watch with “feelings of envy, wealth, and wanting.” But why would i want to spend all that money i don’t have? i should invest in a replica watch. Big and expensive to match my new “enormous manfullness in my pants.”
Even my SPAM is trying to tell me i’m an inadequate man in the working and dating world, which i guess is fine, seeing as how i’m an unemployed, married woman. They’ve got me all wrong. But i save the real gems for a laugh:
“You’ll be able to invade so deep into woman, she’ll scream and shout like crazy.”
“She will stay by your side as you have that bulgy pride.”
“No matter how you are dressed everybody will see that you are blessed.”
From Writing Under The Influence to Creatively Sober
i encourage anyone who fancies a good scribble, wants to write, practices writing or contemplates the writing / creative life seriously to watch it. It actually made me cry.
As a background, Joe & i listened to Eat, Love, Pray while we trekked across the country to from Springfield, VA to Portland, OR and though i found most of it moving but some of it rife with her own personal drama and insecurities, this speech of hers was much more coherent and truly inspiring. i liked the idea of something passing through you, urging to be captured and caught by the tail, then wrestled to the paper, else it chooses to move on and select someone else to come through.
And well . . . i have to agree with her and her stories of other creative types. i have muses, sure enough. Guides. Voices. Faeries. Things that keep me up at nite or prod me on in the middle of the day, with something loud and clear to say. Often in the shower, sometimes i hear it right in my head or chest, a booming, filling voice. Sometimes it is in my own voice. Sometimes, it’s not. It’s ok – i’m no stranger to odd voices and old muses. it is my Greek Chorus, my accompanying soundtrack, the movie voice over. The Blathering Other.
Then, when the voice(s) go dead on the line, i write stuff like THIS too, just to address the situation . . . So even when i’m not wrtiting, i’m writing about it. very reflexive if for nothing else but the mere exercise.
What i’ve learned is that, for me, it IS an exercise, it’s a voice (or several) that like any good relationship, need cultivation and conversation to keep them active and accessible and “flowing.” As in “real life,” there are some friends for whom, if you don’t call for awhile, get offended.
But the bigger question about torturing oneself with the expectation of follow-up, or creative force, or the fears of “can i produce if i am NOT miserable?” And “do i have anything to say if i am not suffering?” Or “do i have to descend into madness in order to arrive at genius?”
Recently i was asked this:
Is it true, that hard times make you even more creative, allowing you to produce great art?
Perhaps there was a time in my life when it was somewhat true, but now it’s more about transcendence. that’s where our ‘art’ or trade or practice of the thing we do best comes in . . . and i’ve talked about this at great length before.
In essence i have learned not to abuse my “art,” not to squander talent into personal transformation through miserable expression. Suffering is apparent, pain is necessary, yes – but it is NOT the desired or correct state, purpose or constant in this life. And if it is – you’re doing it ALL WRONG.
i think getting to the other side of bad times bravely, however you document it in your art, is the goal. But making sure you have something to say or paint or photograph or film when life is blissful, is just as important.
i can remember a time where i’d plunk down in front of the computer, get to writing or editing photos (or Christ almighty, compose email) and kill a bottle of wine by myself, no problem and with little effect. i did this mostly because it was there, partly because it was business (i sampled wine from distributors for restaurant purchase) and lastly because it was wet and slightly more interesting than water (which i kept stacked in bottles within crates. Hydrate while you drink, people.)
Now, lately when i bring a drink to my face, i can almost feel my liver raise up and bitch slap it out of my hand. The smell of beer, fresh or stale in a room, on the breath in my face, or on clothing makes me sick. Apparently, my liquor license went out the door in my bellybutton along with my gallbladder. This is coming to you from a woman who in most pictures i am smiling, with a wine glass thrust forward in the frame as if to toast to anyone looking on and willing to share. These days, i’m afraid wine will turn my guts into a pit of roiling acid and deliver a mean hangover. So i guess i just wait, until things calm down and my liver and i come to an understanding.
And when it comes to sharing & understanding, for me, it’s often those random letters and email messages from old friends, new friends and complete strangers that i find myself sitting down to flex and exercise my writing muscles. Often, i cut and paste bits from email correspondences into the blog and vice versa, so don’t be upset if something we might’ve shared in supposed privacy ends up in some public form. i hope that doesn’t cheapen the exchange. i like to remember people and things they’ve made me consider and think deeply about. Sometimes it happens when i write them.
In some ways, i suppose i repeat myself, but i do this because, i “said” it once already, just the way i wanted to, and i don’t want to repeat myself. Redundantly unclever, i know. Didn’t you get the memo? It’s the primary reason for having a blog, it’s better than having you dig into my email, my word documents, my sketch pads in my car door and desk drawer or rifle through the stacks of dream journals at my nitestand. i mean, that’s where i go to collect my thoughts and try to reassemble them later.
Stories For Boys . . .
So, on the topic of later assembly, i dug up an old document from an upper-level creative writing course i took years ago. It’s about 70 pages loosely forming some sort of memoir. It’s not strictly linear, like you’d imagine, “i was born, this stuff happened, my mama, my pop, my sister and the hamster and the dog and the cat and the cute boy and the asshole best friend.” There are some elements of that, to be sure, but mostly i seem to mention the various people, mostly men whose friendships and entanglements pushed my personality forward and helped define me and what i do or do not want out of any configuration of friendship or relationship.
Now, that said, this is not a Willie Nelson & Julio Iglesias joint, a wide-sweeping “To All the Boys I’ve Loved Before” type proclamation, nor is it a tell-all rockstar biography. More like, what it was to grow up and make sense of the self. i’ll admit, probably owing to the time in my education and life, it smacks a of little feminism, trying on clothes, trying on lovers, divorce, mommy & daddy issues. But i think it’s a pretty fun & revealing romp, things even i’d forgotten about, so i’ll probably just intersperse them like chapters in between actual, current blogs at random, as i re-work them and under the title “Stories for Boys: (#).” They’ll be easier to tag, bag and search for.
As you might’ve guessed, i don’t change the names to protect the innocent, either. After all, we were just children then, honey. Trying to figure it all out.
“Fiction is based on reality unless you’re a fairy-tale artist . . .
you have to get your knowledge of life from somewhere.
You have to know the material you’re writing about before you alter it.”
~ Hunter S. Thompson
“The music business is a cruel and shallow money trench,
a long plastic hallway where thieves and pimps run free,
and good men die like dogs.
There’s also a negative side.”
~ Hunter S. Thompson
“When the going gets weird, the weird turn pro.”
~ Hunter S. Thompson
He described himself as “an elderly dope fiend living out in the wilderness,” and Hunter S. Thompson, inventor of gonzo journalism, the journalist of the Me decade with his whacked-out and occasionally self-indulgent prose, brilliant, wicked swizzle stick in the shit martini that is our over-sanitized, focus-group-tested, squelched news, media and political coverage – well, he shot himself in his Aspen home.
Not everyone is built for this world . . . especially those who ride it like a rodeo bull. Poor, brave darlings that they are, bordering on reality and escaping it as often as chemically possible.
i purge my own (un)reason through writing, through exercising my voice(s). it’s one of the few things that keeps me tethered to this life and helps me to dissect and reflect on it all. it’s not history until it’s documented, it’s not understood until it’s reflected in the eyes of others, it’s not any good until it resounds in someone else’s psyche as it expands your own.
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“My problem is my feet are too big and I can’t find the shoes that I want, shoes that are sleek and thin and make a pronounced statement of ‘I have access to important documents’ and ‘I have catering on a 24 hour basis’. I want to communicate these things with a shoe, which is impossible with my size, I can’t find the shoes that fit. And I can’t find shoes that make the statement that ‘I am a temple’, that ‘I am a grotto’, that ‘I am a botanical park of many leaves, flowers and trees which essential oils are derived from as well’, if you’re into that sort of thing. You need to make statements, whether you’re trying to be a cemetery of life, whether you’re trying to be a chaperone-slash- assailant, whether you’re trying to be a security guard-slash-masseuse. There’s different things you need to communicate with your footwear and it’s difficult when the width of your foot is greater than the length. Which in a way is kind of the way life is sometimes. Sometimes life is wider than it is long. And you just can’t fit in anywhere.”
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Music takes up a HUGE portion of my life. i am ever looking for the soundtrack to my existence, or at least a temporary explanation. And then there’s the consideration of mood. i’m looking for what fits.
some of the things i am currently cycling into the sound check, checking out, or waiting to arrive:
Who’s Got Trouble – Shivaree
Wikked Lil’ Grrls – Esthero
Guero – Beck
Speak For Yourself – Imogen Heap
A Girl Called Eddy – A Girl Called Eddy
The Beekeeper – Tori Amos
::: ::: ::: ::: :::
“I don’t have any allegiance to an organized religion; I have an allegiance to the gifts that I find for myself in those religions… I’d rather be non-denominational, except for music. I prefer to learn everything through music. If you want divinity, the music in every human being and their love for music is pretty much it. It’s the big indication of their spirituality and their ability to love and make love, or feel pain or joy, and really manifest it, really be real. But I don’t believe in a big guy with a beard on a throne, telling us that we’re bad; I certainly don’t believe in original sin. I believe in the opposite of that: you have an Eden immediately from the time you are born, but as you are conditioned by your caretakers and your surroundings, you may lose that original thing. Your task is to get back to it, to claim responsibility for your own perfection.”
~ Jeff Buckley
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“When i’m posing for a photographer, as with music, it has to be improvisational at a certain point. For it to work you have to allow yourself to dream, to walk into a painting. If you establish an inner dialogue while you’re being photographed it can be a bit more revealing. i might remember a conversation with somebody that takes me to a certain space. i’m not inhabiting a different character – i’m inhabiting myself, although this might be a piece of the self that even i am just meeting for the first time. That’s what i like to see in a photograph. When somebody’s just blankly staring out at you, or seducing the camera in a really obvious way, it just doesn’t have the same resonance.”
~ Tori Amos from Tori Amos: Piece by Piece
::: ::: ::: ::: :::
i don’t know if i will ever be the caliber of Dorthea Lange or Diane Arbus or Annie Liebovitz, but as i am constantly inspired by photographers, male and female, new and historical, and all encompassing a wide world of imagery, i will continue to explore my tools, and document my little red chunk of the world :heart:
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“Most people go through life dreading they’ll have a traumatic experience. Freaks were born with their trauma. They’ve already passed their test in life. They’re aristocrats.”
~ Diane Arbus
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Meanwhile we are all desperately reaching for our trauma, our uniquity, our gift, or own personal freakdom that will allow us to express ourselves fully, to transcend our simplicty, mediocrity, anonymity – to become a vibrant version of ourselves.
And the approach is simple . . . convince yourself you can do it.
There is this trinity of expressive things i love: writing, music, and photography. i told myself i wanted to write; i did it, i was published in minor publications, won a small scholarship and continue to scribble – even my dreams are work for the paper. i told myself i loved music so much i would write it, sing it, play it live. i did. i took the writing, taught myself guitar, recorded several songs with a band on CD, played live and loved it immensely. i still sing and play here and there, but i mostly consume music now. i told myself i really love photography and i want to learn how to do it, learn to see my world differently. i brought joy to friends, family, even strangers who to my wild delight and surprise, actually forked over money for something i captured, and now i am displaying and selling them on the walls at my ‘real’ job. and every day, when i drive, when i walk, when i listen to conversations, when i have tea by myself, when i travel i see the world in little 4×6 boxes that i keep rotating, cropping, expanding.
and i am still learning and convincing myself i can do it.
i hope i don’t bore you all
with the billion bugs
and the few thousand flowers.
should i go photograph buildings
or industrial scenes
or road kill?
as a writer, i tend to write what i know
and what – photographers shoot what they see?
so YOU see what i SEE, i suppose.
and though i do have concepts
i have mostly fortunate scenery . . .
i see five acres of forest,
i see horses and trees and flowers
i see explosive colors everywhere
and everywhere i go i see
today while driving i saw
a lightning storm
a row of trees
blinking on and off with
the million green lights
a once impeccable white classic car
with hanging fuzzy dice
badly wrecked on the side of the road.
and i wonder at how to capture it all.
and will i have time?