writing

Eye

watching …
watch you.
red-to-blue-to-black
is that you?
laced your fingers
into mine
mouths traced by tongues
thousand years ago
cannot seem to
tear this glance away
eyes locked like
fortresses, doors propped open
to the sunlight
alien birdsong, unfamiliar fruit
and the breadth of your hands
begin this way, texture
I remember something …
glassy, colored like clay
recognition – smile
no one sees this union
centered, full-circle
wish to step through this
… and I do – ancient company
is that you?

~ Andrea E. Janda

writing

upward

from being pressed
his arms lengthen
and arc on either side,
my own secretive cross
there above me.
red hair swings up
to meet the wall.
mouths form falling crescents
warm focused breath
lights a trail from
my cheek to my neck
his hands find the hollow
as he finds it with
no hands
and his luscious eyes
all the while
over-looking.

~ Andrea E. Janda

music, writing

lyrical substitution

Jeff Buckley looking through match flame . . .

I looked upon his face through flame
and knew the shape, the curve of mouth
the bottomless eyes,
the puncture wound
left by his name,
but still the ache like silken hands beneath
a sleeve that only brushed my cheek
and how can I love
so deep
a boy who sings
as though to weep
and gather all
my heart in knots
of red red silk,
to wring it white and colorless
and sting my taste against
the other strangers I have never met.

~ Andrea E. Janda

writing

Complete Body of Work

I spent a lot of time today.
I put on stockings
. . . . . . and I never do that
And when I laid myself down on that long white canvas,
she traced my body
in all the fine details I liked and admitted
and those I could not see.

And we laughed and remarked
all those points in between where my fingers jagged
and how much I liked the empty slopes to be touched.
and how the pencil had a way of making points and triangles
where there were none.

The first time I tried this exercise
was in the 3rd grade.
There was no ginger navigation,
there were no points no hips no breasts to avoid.
And Timmy, did a fine job, and didn’t make my head too big.
Timmy with a beautiful brown birthmark
on the side of his cheek.
I called it Jupiter’s spot once.
He blushed and took it as a compliment.

When my outline was finished, I rolled it out
and hung it on the wall
And I began to affix things to it.
Scraps of poetry, beer caps, pictures,
Miniature snapshot flashbulb memoirs,
Tiny swatches of time I inhabited
Meaningful, in all probability,
only to myself.

Once my body was full of all that I was
I hung it on the wall at school for all to see.
I existed for a time in two places.
And it was disconcerting to see me everyday like that,
People looking at those scattered pieces of me,
unraveling me,
knowing me.
I felt naked and under scrutiny,
but I grew comfortable.

And that one thoughtless boy,
One of a string of so many like him,
I caught him pressing my profile
Waiting for a class,
I had to ask him, If he wouldn’t mind so much as to move
. . . . . . .
I’d rather he read me,
than lean on me.

writing

taste

You know yourself to be wise,
but it is a strange thing to resist:
to draw her up close,
to peel her back, a red skinned mango
the nectar at your mouth – stingy sweet.
fruit flesh untasted.
it is a strange thing to resist:
to be good and singular and granular
a quick drawing of sugar
but briefly . . .
like tea with honey.

He says, “You are awake.
to those waking, you are irresistable.
to those sleeping, you are beyond understanding.”
to be the Dream Brother,
or the Daughter of Stones.
seven over and over again . . .
knowing the joining would be
perhaps the missing voice
within the voice.
but they all come with songs
they hear you and join in
at all the right echoes.
“You are awake.”

We know where we belong
in those fleeting drams of time,
we take the hands, tighten down like locks
and know what it is to never forever BE.
To be tasty and know how you taste.
Turn those circles outward now,
ripples, vibrations in the waterglass
be sacred at every moment
throwing hands into a fire that understands.
Breathing into red connections —
tables are set for these strange gatherings,
might you . . .
shamelessly partake
of mangos and tea with honey.

Might you?

~ Andrea E. Janda

writing

Diary of a Lazy Sunday

i went to bed as the sky was slipping open,
a silver blade across a dark canvas
the sun – a dusky, milk-white pearl,
a burnished tin coin
and the patter of rain.

i woke up late afternoon
a warm ivory cocoon
decided not to burst wings
but lay still for 2 hours
assembling dream collages
rewinding conversations
re-writing myself
two paperweight cats
held me warm and fast.

i had explained to him
that waking up is like being born
sometimes i come out screaming
sometimes i need more pushing
sometimes i cry . . .

i called three friends
from under the blanket-tent
with sleep and recline in my voice
and they asked if i were ok
and i declared softly
with a honeyed smile in my voice
that i was
indeed
fine.

in a slip of black satin
i padded the stairs, cats in tow
and made eggs and pancakes
for dinner
with peanut butter and toast
and drank orange juice slowly
marveling how far it had come
to be here now.

how far would I have to travel
to move this slow every day
in a purposeful dreamstate
consciously delicate
instinctually incoherent
to share a wishbone prize
while never having broken
a thing.

~ Andrea E. Janda

photography, travel

sunrise sunset moonrise

SaguaroSunset

i am back from AZ – a sight-filled, delicate journey
mild weather and attentive, gracious company.

Tucson, AZ is nearly the polar opposite of Friendship, MD
a dusty, stark beauty – rusted red, stucco orange & sand beige
and here now, at home a lush, cool damp of green gone gray
and blue chilled to soft white.

i picked grapefruit off the trees, in January (amazing!)
and had jumping cactus attack my sandaled feet (unwise!)

on the plane as we landed in Baltimore
the moon was like an orange rind
plump and cut in half
– a ruby grapefruit.

and now i sort through photos
and memories.

holidays, travel, writing

shiny, used, temperate blues

upon leaving Manhattan
the Christmas tree at the curb
wearing tinsel like a greenstick girl
who is showing her silvery gray
and beside it after midnite
a Champagne bucket.

the Holidays are over . . .
and now the winter
truly begins.

but I will find myself
in Tucson in 4 days,
stomping through the desert
sweating & trying to make sand
and cactus flower
visually appealing.

~ Andrea E. Janda