humor

come hell or high bathwater

Crack Kills
Crack Kills

Euugghh . . . plumbing. Whenever something leaks or makes noise or backs up, it conjures up the old SNL skit with Dan Aykroyd fixing the fridge for Mrs. Loopner (see the sight gag at 3:15 into the video). All I can think is, “great, this is going to be super expensive, the tech is never on time and they’re going to send some half-wit with his coinslot hanging out of his work pants tromping through my house and leaving a foul mess behind for me to clean up.”

A few days ago my bath sink and tub were both slow to drain and I thought the liquid / gel plumber bottle I dumped in had them fixed. I think I only made the drain rat living down there more hungry and angry. I woke up one morning to Amityville Horror–dark clots and water rising OUT of my bath tub drain that filled to about 4 inches then gurgled and swirled back down slowly. I think I heard something chuckle menacingly at me once. And I don’t know about you, but not having a working shower / tub / sink / dishwasher when it’s all installed and should be working is maddening. When I’m out in the wilderness, fine, but I don’t like camping in my own home. Joe & I had to shower at friend’s houses and our yoga studio for a few days.

playmobil-plumber
Don’t worry ma’am, everything is under control…

Turns out my neighbor had the same problem; it seems our drainage pipes are, uhh, intimately connected. We live in a house broke up into 4 independently owned condos built in 1913, i have an old, but nicely refinished claw foot tub, thus I fully expect plumbing nitemares. You should see our basement. The ceiling is a labyrinth of duct work straight out of Brazil and the pipes and plumbing are a recursive, confused tangle with no beginning or end. M.C. Escher would be proud. This is what my tech had in store for him.

When Craig called to say he had a job postponement & would be by shortly in the am instead of the afternoon when I expected him, I said, “Well, that’s fine but it will have to be jammie time, I’m just waking up for the day.” He remarked that he didn’t bring his jammies but he’ll still do the job. This made me laugh. We were off to a good start.

Let me just say Craig was kind, conscientious and efficient. While here he even took a call from an irate woman on the phone and handled it with utter grace and diplomacy. He bravely navigated the clusterfrak that is our way old school plumbing. He went between both my place & the neighbors to track down the blockage and make sure that our tubs weren’t backing up into each other and worked until both drains were clear and :: GASP! :: he even cleaned up after! My tub was free of devil spawn after-birth and my floor didn’t look like a military parade march came through. Double Rainbow All The Way! Win! Win!

 

You're my only friend . . .
You’re my only friend . . .

Extra Bonus Points: Craig even diagnosed an unrelated plumbing problem I asked him about. I mentioned a loud banging sound from the pipes I get whenever I run the clothes washer. He said the “shhh-CHUNK” and rattling of the pipes that occurs is called water hammering and can be cheaply and easily remedied with something called a water hammer arrester (go figure).

I read that water hammering is “a pressure surge or wave resulting when a fluid in motion is forced to stop or change direction suddenly.” He pointed out where it does this at a tight bend just out of the hot water heater as well as just before our washer junction. Now that I know this minor annoyance can be fixed I’ll get on it, because what I don’t want is that pressure wave from the noise and vibration to cause the pipe to collapse. We have enough water problems around here.

I got a few of his business cards and the next time the plumbing gets possessed, I’ll ask the Property Manager to call Craig back!

psychology

She Had Some Horses by Joy Harjo

She Had Some Horses

She had some horses.

She had horses who were bodies of sand.
She had horses who were maps drawn of blood.
She had horses who were skins of ocean water.
She had horses who were the blue air of sky.
She had horses who were fur and teeth.
She had horses who were clay and would break.
She had horses who were splintered red cliff.

She had some horses.

She had horses with long, pointed breasts.
She had horses with full, brown thighs.
She had horses who laughed too much.
She had horses who threw rocks at glass houses.
She had horses who licked razor blades.

She had some horses.

She had horses who danced in their mothers’ arms.
She had horses who thought they were the sun and their bodies shone and burned like stars.
She had horses who waltzed nightly on the moon.
She had horses who were much too shy, and kept quiet in stalls of their own making.

She had some horses.

She had horses who liked Creek Stomp Dance songs.
She had horses who cried in their beer.
She had horses who spit at male queens who made them afraid of themselves.
She had horses who said they weren’t afraid.
She had horses who lied.
She had horses who told the truth, who were stripped bare of their tongues.

She had some horses.

She had horses who called themselves, “horse.”
She had horses who called themselves, “spirit.” and kept their voices secret and to themselves.
She had horses who had no names.
She had horses who had books of names.

She had some horses.

She had horses who whispered in the dark, who were afraid to speak.
She had horses who screamed out of fear of the silence, who carried knives to protect themselves from ghosts.
She had horses who waited for destruction.
She had horses who waited for resurrection.

She had some horses.

She had horses who got down on their knees for any savior.
She had horses who thought their high price had saved them.
She had horses who tried to save her, who climbed in her bed at night and prayed as they raped her.

She had some horses.

She had some horses she loved.
She had some horses she hated.

These were the same horses.

~ Joy Harjo

death, dreams, health, love, myth, nature, psychology, weather

The Egg Moon & The Deer-Woman

The Firebird Does Not Learn

She is an egg and every shadowed glance,
every silent forest destroys her.
She is newborn and the shark-tooth grit
of the earth clings to her wet eyes.
She is in flames, the jeweled fire
that everyone remembers,
and then, what she had not foreseen,
She is burned and not consumed.
Burned. She feels her feathers
knit together. Burned. It hurts her
to heal. She is still.
She dreams of the next dawn,
a darkness, a nest of ash.

— Kate Horowitz

:::   :::   :::   :::   :::   :::   :::   :::

Tonight was the full moon. The 9th of April. The Pink Moon. The Egg Moon. Even the word April sounds like rain; it spittles from the mouth with the open promise, the gathering of air for the “A” and the plosive “pr” ending with the tongue lap of “l” at the back of the teeth. Water held back, pressed behind the dam. But that rain, as the rhyme goes, the April showers hold the promise of May flowers. Considering the wild rains Portland tends to get on the regular, I would wager that despite a couple of stellar 70 degree days that visited us early in the week, there is still a good bit of watery April left and that will require some patience. Next full moon—The Milk Moon. The Flower Moon.

Luckily, the flowers are already showing their pretty faces in the garden; purple and pink hyacinth carries on the air like a honeysuckle perfume, the camellia trees in my yard bloom bright red, some mottled with white stripes, the yellow, white and violet crocus and buttery daffodils are plenty, and the tulips have unfurled their emerald green bunny ears, though the buds are still closed tight as peapods, so many meditative eyelids, dreaming something deep and colorful. A flurry of cherry tree blossoms drift into the yard; heavy Spring wind casting a false snow, a white mimicry of Winter’s last stand.

While wandering the perimeter of the house, I found a lonely patch of trillium, a tri-fold of green heart leaves lifting up triangular white flowers, a basket of stars, everywhere in 3s.

But that’s the best part of Spring—everything coming back from Winter’s sleep, seemingly, from the dead: the flowers, the trees, the animals, the goddess Eostre, Jesus. Me.

I’ve been feeling better, I’m cooking more and enjoying all the smell and tastes and textures of food. Something happened last full moon, some strong anxietal force moved through me. Some part of me died a little, something, someone else resurrected. It was what i asked for, and lately, as I am sleeping more soundly, it is a common and powerful theme when i dream. Death, rebirth, fire, water, flying, wings, feathers, hands in the earth, digging and digging, biting and scratching my way through.

Gerda and the Reindeer | Edmund Dulac

Two nights ago I dreamed I stood in a huge backyard, a large farmhouse behind me. It wasn’t quite an open field as it was fenced off. The grasses were tall in places and something straw-colored was moving through the area towards me. But all I could see were its dark eyes and furry antlers. It seemed to be part moose or reindeer and masculine—it was so large, but as it drew closer, it became softer, graceful, almost feminine despite the large antlers on its head to indicate male. It was more a Mule deer, a buck.

We both approached each other cautiously and as the deer stood still before me, it morphed into a woman. It occurred to me that i should invite her for dinner; a big party was being thrown by extended family, though it was no family I knew of and no occasion i could name. When I introduced my new friend to the men in the family, they leered a bit, patted at her long legs and lap asking why she was so quiet. I explained that she was foreign and didn’t speak the language, so the deer-woman just smiled softly at them and looked strangely at me. I grew anxious as we visited because I felt that at any moment, her glamour would break and she would morph back into the powerful, antlered creature that would bound through the room, kick over furniture and dishes and smash through the back door to escape. The thought plagued me so heavily, I pleaded with my eyes to the deer-woman, and indicated with my head that we should go back outside. She nodded and followed me.

Once we were outside, she became the buck again and wandered out into the forest where I followed her/him. A bright shock of sunlight stunned the deer and it turned on me, knocked me over, bleating, snorting and biting at my neck. It was part murder, part mating. The world went dark in a swirl of tree canopy, pearl grey sky and clouds of shattered eggshell.

When I woke, it was the woman again beside me, waiting for me to rise. My sense was that I was dead, but undead. Not quite vampire, but stony, pale and cold. I was able to move fast, to levitate, to fly and could bring someone with me, transferring the powerful ability to them, with them, so long as they linked hands or an arm with me.

The deer-woman had someone with her now, and I had a faceless someone with me. The four of us flew around until we came upon a memorial site. A grave with no body. A decorative brass commemorative plaque. With my name on it. But it was not my current married name. It was my maiden name: Andrea Jackman. I wiped dirt away from the plaque, collected cigarette butts and trash thoughtlessly discarded in the grass surrounding it and threw these things away. I felt sadness, but also, realized, it was not truly myself that was lost or dead, but a previous incarnation of self.

This lead me to seek out the mythology of the deer, the stag, ways to interpret the dream. Some of it I knew, but some of what I found amazed me in my own psyche’s ability to deliver the message.

It begins even in Neolithic Cave art where the depiction of people for hunting or shamanistic practice, dress in deer hide and wear antlers. In Classical times, the ‘Stag God’ was paramount to the Scythians and other peoples across the Eurasian steppes. To the Hungarians (my ethnic background) there is a great horned doe, which shone in multicolour lights and its antlers glittered from light.

There is the Spring renewal, the chase after the stag is a hunt for the return of the sun, searching for its light and heat which during Winter is taken away by the stag. The girls of the legend are the does, the daughters of light (Leukepius in Greek), who return the light and fertility of the sun. For that reason they have names which indicate “light, white, burning” Dula=Gyula,Gyul…, Sar=gold, light, stag. Bular or Bugur=stag in Turkic.

Ancient Norse mythology tells how 4 stags run in the branches of the ash and browse the foliage of the world-tree Yggdrasil, eating away the buds (hours), blossoms (days) and branches (seasons). Their names are: Dain, Dvalin, Duneyr, Durathor and are thought to represent the four winds.

In Greek mythology, it is the Keryneian stag, a fantastic beast with golden horns and brass hooves sacred to the huntress-goddess Artemis who turned herself into a white hind (female deer) to avoid being violated by two giants.

The deer is also a central religious image for Buddhism. Buddha is often pictured with a deer, and legend tells how he first preached in a deer park. The deer image itself representing innocence and a return to the wilderness.

In Celtic mythology, the deer is a magical creature, able to move between the worlds and many tales have humans transformed into deer. For example, St. Patrick was said to have transformed himself and his companions into deer in order to escape a trap laid by a pagan king. Cernunnos, the Celtic Horned God, was depicted with the antlers of a stag; he is said to be a god of fertility and plenty, and to be the Lord of the Beasts. According to some, his antlers symbolize a radiation of heavenly light. Images of stags were supposedly used to symbolize Cernunnos in non-human form. In the Welsh tale of Culhwch and Olwen, the stag is one of the oldest animals in the world, along with the blackbird, the owl, the eagle and the salmon.

In some parts of Asia, deer are considered to be conductors of soul and thus the robes of shamans are usually made out of deerskin. Likewise, many Native Americans believed deer and other animals with forked horns and antlers represented forked or double nature. When the Cherokee traveled during harsh winter weather, they rubbed their feet in warm ashes and sang a song to acquire powers for the four animals whose feet never were frost bitten—opossum, wolf, fox and deer. To the Pawnee, the deer is a guide to the light of the Sun. The Panche Indians of Colombia believe that human souls pass into the bodies of deer after death and therefore eating the flesh of deer is forbidden to them. In ancient Mexico, deer were sometimes depicted carrying the Sun (similar to the ancient Steppe myth and the Scythians).

The antlers of the stag are compared to tree-branches (the world-tree Yggdrasil) and since they are shed and re-grown every year represent fertility, rejuvenation and rebirth. Carl Jung noted that “the stag is an allegory of Christ because legend attributes to it the capacity for self-renewal … In alchemy, Mercurius is allegorized as the stag because the stag can renew itself.”

This close to Easter, my mind is swirling with birth, bunnies, blossoms, eggs, animals, the moon, the sun, Christology, oh and sure, I’ve some room for chocolate in there, too. After all, it is the sweet delectables, the luscious plenty, the little gifts, and the small rewards that make such great love and transformation possible. But was my dream telling me to lay off the Twilight series by conjuring a vampire deer? Was I truly dead? Rutting? No—I’d like to think it’s the change on the horizon, the promise of sun, a great white fire I am still chasing after in the woods. Some promise borne out of rain, softening the edges, washing away the ashes, waiting for me to rise from a bed of flowers and turn my head up to the clouds of shattered eggshell to see the robin blue sky.

drinking, food, friends, health, love, music, philosophy, relationships, work & employment, writing

March On

lionlamb

February is and in my case WAS such a short, sometimes brutal month. Then you have March, which does the ins and outs of wild predator to tame sweater maker. But in the short month of February i packed in a lot of healing, writing & music readying myself for the tempest of March.

Qi To The Kingdom . . . Or, i Am A Tiny Pin Cushion

i began seeing an acupuncturist to well, to unfuck my qi. Being a stickler for detail, i’ve kept a calendar since my surgery detailing and tracking my symptoms, moods, foods, internal movements, etc. i’ve been drawing a gradation of faces from frowny to flat to a simple upturned bow to smilies with big dotted eyes and a row of piano key teeth. i doodle and color my calendar with markers, moods, faces, any sign of discomfort and yes, even when i poo to be consistent with patterns. i do this NOT to become the obsessive spaz, holding onto illness like a war medal, but to determine severity & frequency to see if i am improving or moving towards healing. And if not – to do something very proactive about it.

My acupuncturist is a very kind man who went over my extremely detailed laundry list of complaints and undesirable changes in my body. We talked for over an hour before he even put a needle in me. Hardly any practitioner of any healing art, takes the time and energy to do this; there simply is no time to listen or touch or get all the detailed information that forges the craft of a good diagnostician. This is especially true in Western Medicine. Which is why i chose the modern miracle of Western Medicine for surgery and the centuries old Eastern Philosophies for healing.

“Wow, this is great,” he said, scanning my list of dates and list of maladies, “No one does this. It’s really organized.Very helpful.”

He went over the whole page with me.

Once we figured on a plan of how acupuncture and Chinese medicine could help me, i felt a sense of calm purpose, and he began tapping hair-thin needles into my legs, wrists, shoulders, neck, ears, all along my abdomen near the floating ribs and liver, a few near my stomach, even some threaded underneath the scar tissue on my stomach to soften and flatten.

Then he took what looked like a big black crayon, a half-smoked cigar, or a pointed smudge stick. It was moxa, heated Mugwort which he applied near the needle tips to send heat into the acupuncture points. It felt pretty wonderful actually. My stiff, knotted trapezius muscles softened, nausea vanished, headache faded and my stomach and bowels were still and calm. This last visit, i told him i had a creaky knee, he touched around, squeezed lightly and asked if i had been using my quads to do some lifting and bending the day before. It was true as i recalled all those half squats in yoga and he stuck one in for that. i also expressed difficulty falling asleep, and damn it i LOVE me some sleep, so he tapped a little silver needle right into the top of my head to clear the airwaves. Then he put a crinkled mylar blanket over me: light as air, silver as Mercury and i lay there, a little Fembot, conserving heat and energy under my quasi-futuristic Austin Powers blankie.

i feel like things are definitely improving inside. Much calmer and less symptomatic. yoga’s been great, food is becoming my friend again, acupuncture seems to be helping and i’m taking a Chinese herb called Shu Gan Wan (liver soothe) to stop my liver from being so pissed about my gallbladder being gone. They are miniature versions of Whoppers chocolate malted milk balls, but they taste like curry. The most interesting visual diagnoses delivered upon me: liver invading spleen and liver invading stomach. Not a bad way to think about it really. The way the Chinese see it accurately describes the miniature battle that’s been raging in my guts since surgery. In the 2 days following treatment, i’ve sometimes felt an internal struggle for domination, like there are knots being untied, like i’ve been damp and bit drowned inside and then i come out the other end and it’s all Snow White & bluebirds. i have more energy, i get ravenous and my outlook improves.

wtfpillbox

i’ve added a Calcium, Magnesium & Vitamin D supplement combo (what a horse pill), A Vitamin B complex & Spirulina. Rather than those amber bottles clogging up the cabinet, i now rattle vitamin supplements onto a little red dish in and effort to boost my immune system and well-being. i would say i’m at about 75%. i guess i’m just looking for time and worry to pass and toss me the other quarter.

Usual Suspects – Netflix – Matrix – Conflicts

i’m still unemployed, but trying to occupy myself. If i didn’t have yoga or the occasional social outing with Joe and his work mates, plus Tiffany & Chelsea, i’d be a house mouse for sure. Of course, this may change when Spring comes into full bloom and i expect it to. i can see happy little yellow & purple crocus poking through in the backyard, so there’s a spot of sunshine yet . . .

i fire off about 4 resumes every other day. Then i hear stories about how an ad for a front desk position at a local yoga studio garnered, not 6, not 60, but SIX HUNDRED applicants and i get to thinking, unless my email arrives blinking or on fire, there’s no way i’m getting noticed. i applied for a local position at a Chiropractic office, found my best business casual with a little Portland funk and showed up in person to the office where i found myself on day one of two amidst a light cattle call. 5 women were already standing in a room like Star Search & American Idol contestants, beauty pageant finalists, the weakest link, a lineup.

And it was the usual suspects. The over-bleached & frosted tan woman with alligator handbag face (too may hours poolside) drinking Coors Light, guilty of wearing fluorescent cotton jumpers, coral lipstick and hair scrunchies, probably just relocated from the Carolinas or Florida. The dumpy girl in business casual, pock-marked, unremarkable, practically invisible, hunched back from self-deprecation, flinching & shying from imaginary social punches, shifty, downcast eyes and shuffling feet looking for a nice quiet office to answer phones in, listen to soft music, eat bologna and American cheese sandwiches in and hide. The Sweetie-pie mouse girl, flat brown hair, doe-eyed, squared off chiclet-smile, high-pitch, pedamorphic voice both docile and simmering. The other two women were variations on a theme. Background noise. i was just waiting for the talent portion so i could showcase my baton twirling.

The rotund, possibly former high school football coach now Chiropractor with soft, spiky, salt-and-pepper would-be-Mike-Ditka hair shuffled through our resumes like quiz sheets. Doctor Ditka then asked each of us if we had undergone any chiropractic work and for what ailment. Turns out i was the only candidate who hadn’t been cracked and i couldn’t tell if this fact was a help or hindrance to my cause. No previous body work and one couldn’t truly expect to explain the process or how it feels. Previous work and you may just be looking for some free medical care.

Then the assistant spoke up. She was Doctor Ditka’s little frau, and i caught her checking out my legs in black tights and eying my skirt up and down. She made a lot of eye contact with me but probably because i was taught it was polite to look speakers in the eye. Even when they’re addressing a group.

She went over the finer points of duties and representation at the job, stock still and legs straddled with a clip board held in one hand and wedged into her belly like she was about to call off a cheerleading squad roster, or note how slow your last lap was, or go body surfing. Except, this was winter and she wore burnt-caramel suede & beige fur boots, tight blue-black jeans belted off with a strap of leather i imagined she could unbuckle and snake through her belt loops to beat you quickly with. It was all topped with a grey angora sweater. A snuggly little snit, a real fuzzy blowhard, probably a former stoner, rock chick & bully known to sit on the smaller, smarter girl’s chest at school and bloody her nose for her.

i quickly assessed who was in charge of this operation and it wasn’t Doctor Ditka or the nice older woman smiling at the front desk. After receiving frau’s full up & down measure, i also knew that job was not going to be mine.

People aren’t going out much, home entertainment and movie watching is up, and this is true of me as well, so i applied at Netflix for shits and giggles. They called within hours and scheduled a phone interview. Apparently Netflix is a rarity in corporate customer service. They decided to employ human voices, eliminated e-mail-based customer service inquiries, chose not to outsource or go offshore, and set up their big  call center in Hillsboro, Oregon “because it thought that Oregonians would present a friendlier voice to its customers.”

So, i had a nice chat with a woman who conducted a phone interview, went over some of those basic, “tell me about how cool, calm, successful and how much of a suck-up, pretty little cog, team player you are.” And then she asked two strange questions. “Would you like to be considered for a second interview?Oh, no thanks Judy, i’d like to stay in my pajamas all day and ask my poor working husband to bring me bon-bons and tampons since i’m not a financial contribution to the household, but this has been a real hoot, thanks for asking. And,”Would you like to work in a call center?Oh, yeah, i mean, i dream of sitting in a desk with open cubicles in a sea of heads wearing headsets jacked into the hive mind, assimilated like the fucking Borg, pausing just enough to slurp down a salty, stryofoam, pseudo nutrition container called Cup O’ Noodles and get right back to it at any time in the 24 hr span you’re open. Who needs a circadian rhythm, right?

But i answered safely, and quite honestly. “i’m highly efficient and i think i am fully capable of working in a call center.” Translation: “i am made of sturdy human material able to withstand the inquiries of irate morons and confused grandmothers and techless luddites. i am able to hack the necessary mundanity and the flexibility to talk to anyone from any walk of life even if all they want to do is talk. i am a meat popsicle. And yes, i will do it for $12 an hour.”

i wasn’t going to lie about it. What we want and what we are able to do, are often quite different. i want for things i am unable to do and i am able to do things i don’t want.

All of the above line of inquiry is mostly about touting one’s own work ethic, But i wish i had known about Chelsea’s latest answer to the interview question, “What do you consider your weakness.”

She simply rolled her eyes, tossed her head softly, sighed and helplessly replied, “Chocolate.”

Foolish Words, Bird Song & Shiek Music

Joe, Chelsea & i went to see Christopher Moore as he stopped in on Powell’s Books in Beaverton, touring in support of his new book, Fool.  He didn’t read excerpts, but DID regale us with funny stories as any good jester would.

i waited for a little over two hours to say hello and have him sign my book, while i fumbled through half stories of the times his writing kept us entertained on road trips.

“Hi, we’ve met,” he said.

“Well, i comment on your blog.”

“Right, well, good to meet you in person.”

He actually recognized me, i think, and probably through pictures but maybe he says that to all his MySpace / Facebook buddies. So i dropped him a quick public thank you:

thank you SO much for coming out to Portland (Beaverton) and staying so long to sign books and chat with everyone.

i was terribly flattered you remembered me from photos here and said i’d looked familiar. (probably from blog comments). i’ll be riding that cloud all week . . .

i really enjoyed your stories (“sorry”). i also really enjoyed meeting you in person since, like a good friend, you’ve made me laugh at so many times in my life.

i probably should’ve said that, but you know, the mind goes blank in the “awkward moment” that accompanies book signing as you put it.

also, i probably should’ve offered to take you out & feed you, since they had you shackled to a podium then a table so long, but didn’t want to imply an undue familiarity. just sayin’.

next time . . .thanks again!

He was kind enough to write me a quick personal message back, which, as i informed him, made my millennium. i wonder if he’ll read this . . .

That same Saturday, Joe & i went with friends, Janet, Adam & Hillary out for a nice little dinner at Thai Peacock at  then to see Andrew Bird at the Roseland Theater. i will not bore you with my full-blown review because, as anyone who knows anything about me, i am a HUGE fangirl of Mr. Bird and can gush at great length. Suffice it to say, it was one of the warmest, most intimate, tightly performed and emotionally charged shows of his i’ve ever seen.

Five days later, i’m sitting quietly at home reading my email when a blast comes through from the Aladdin Theater for FREE tickets to see, Duncan Sheik. Do you all remember him? Sudden unexpected pop heartthrob who put out “Barely Breathing” then apparently went on to compose, quite successfully, for film & Broadway musicals. Somewhere in that road he found Buddhism, explored his pop-roots and electronica and went from blue-eyed crybaby crooner to what appeared on stage to be softshoe hobo, railroad vagabond. Complete with floppy hat. No offense, but i like my pop-candy to be a little more polished. Even so, he was soothing enough and perfectly entertaining, particularly when joined onstage and accompanied in harmony by pianist/vocalist Holly Brook, a spritely, red-headed songstress with an easy voice who perked my ears with “Mama Who Bore Me.” i thought she sounded like those pitch-perfect singers on Broadway and indeed, the song is from Sheik’s Spring Awakening and was sonically delivered as such.

He seemed humourously self-aware onstage, in that sort of clumsy, rushed and fearful of rejection way that makes you check your fly and crumple your hat or roll a piece of paper into a straw. He began every introduction with, “Ok, so . . .” then while fiddling with one of 5 guitars, explained the song’s meaning and context as it applied to storylines in one of two Broadway plays he wrote music for. Then he’d crack a small joke or two, launch in, finish and begin again, “Ok, so . . .” Here and there he sprinkled in familiar pop tracks and love songs.

It struck me while i was awash in the soft repeating flow, that certain artists have a “sound” and so, i found myself trying to figure out the landscape of his music, the places i went to, the things i imagined. That sound for any given artist can be mathematically complex, assaulting, heart-beating, ass-wiggling, spirit soaring, a warm bath or just plain vanilla. Music to vacuum by. But it occurred to me that Duncan Shiek’s music, nearly the whole of it, sounds like a day at the beach, and not all the sunny, splashy, sandcastles & coconut lotion bit. But the white noise of the ocean, the call of circling birds, the cool that moves in around 6pm after a long day of swimming and sunbathing, the blue sky gone grey and overcast, the part of the day where you are tired and melancholy and have to pack up the blankets, shake out towels, rinse your flip-flops in the surf and walk back half a mile to the car with sand on and in unpleasant crevices. And you didn’t even get to stay and watch the sunset with a good bottle of wine, because the kids were whining, because the wind kicked up, because a storm moved in, because your lover/wife/husband is not who you think they are / hope they’d be. That’s what it sounds like.

But boy, the people were into it. And probably vacuumed up sand to it regularly or settled in with a pint of Vanilla. You know, after the beach.

To his credit, Duncan Shiek is a fine & thoughtful songwriter, he’s just not as deeply provoking as some. Gold star finish though – he ended his encore set with a most righteous cover of Radiohead’s “Fake Plastic Trees.” Finally, something real.

Welcome to the world of big monsters in pants and big possibilities!

If my SPAM is any indication of my shortcomings then i definitely have a small penis and should do something about that if i ever intend to satisfy ANY woman. i should also invest in discount Viagra & Cialis to keep my new size erect and in check. And if i really want to impress, i need “a status symbol of today” because “an expensive watch makes a huge difference socially and at the office.” Because, people look upon an expensive watch with “feelings of envy, wealth, and wanting.” But why would i want to spend all that money i don’t have? i should invest in a replica watch. Big and expensive to match my new “enormous manfullness in my pants.”

What?!?!

Even my SPAM is trying to tell me i’m an inadequate man in the working and dating world, which i guess is fine, seeing as how i’m an unemployed, married woman. They’ve got me all wrong. But i save the real gems for a laugh:

You’ll be able to invade so deep into woman, she’ll scream and shout like crazy.”

She will stay by your side as you have that bulgy pride.”

No matter how you are dressed everybody will see that you are blessed.”

Good gravy.

From Writing Under The Influence to Creatively Sober

So here’s some fun thoughts on a rainy day . . .

Elizabeth Gilbert gave a speech at TED on genius:

i encourage anyone who fancies a good scribble, wants to write, practices writing or contemplates the writing / creative life seriously to watch it. It actually made me cry.

As a background, Joe & i listened to Eat, Love, Pray while we trekked across the country to from Springfield, VA to Portland, OR and though i found most of it moving but some of it rife with her own personal drama and insecurities, this speech of hers was much more coherent and truly inspiring. i liked the idea of something passing through you, urging to be captured and caught by the tail, then wrestled to the paper, else it chooses to move on and select someone else to come through.

And well . . . i have to agree with her and her stories of other creative types. i have muses, sure enough. Guides. Voices. Faeries. Things that keep me up at nite or prod me on in the middle of the day, with something loud and clear to say. Often in the shower, sometimes i hear it right in my head or chest, a booming, filling voice. Sometimes it is in my own voice. Sometimes, it’s not. It’s ok – i’m no stranger to odd voices and old muses. it is my Greek Chorus, my accompanying soundtrack, the movie voice over. The Blathering Other.

Then, when the voice(s) go dead on the line, i write stuff like THIS too, just to address the situation . . . So even when i’m not wrtiting, i’m writing about it. very reflexive if for nothing else but the mere exercise.

What i’ve learned is that, for me, it IS an exercise, it’s a voice (or several) that like any good relationship, need cultivation and conversation to keep them active and accessible and “flowing.” As in “real life,” there are some friends for whom, if you don’t call for awhile, get offended.

But the bigger question about torturing oneself with the expectation of follow-up, or creative force, or the fears of “can i produce if i am NOT miserable?” And “do i have anything to say if i am not suffering?” Or “do i have to descend into madness in order to arrive at genius?”

Recently i was asked this:

Is it true, that hard times make you even more creative, allowing you to produce great art?

Perhaps there was a time in my life when it was somewhat true, but now it’s more about transcendence. that’s where our ‘art’ or trade or practice of the thing we do best comes in . . . and i’ve talked about this at great length before.

In essence i have learned not to abuse my “art,” not to squander talent into personal transformation through miserable expression. Suffering is apparent, pain is necessary, yes – but it is NOT the desired or correct state, purpose or constant in this life. And if it is – you’re doing it ALL WRONG.

i think getting to the other side of bad times bravely, however you document it in your art, is the goal. But making sure you have something to say or paint or photograph or film when life is blissful, is just as important.

i can remember a time where i’d plunk down in front of the computer, get to writing or editing photos (or Christ almighty, compose email) and kill a bottle of wine by myself, no problem and with little effect. i did this mostly because it was there, partly because it was business (i sampled wine from distributors for restaurant purchase) and lastly because it was wet and slightly more interesting than water (which i kept stacked in bottles within crates. Hydrate while you drink, people.)

Now, lately when i bring a drink to my face, i can almost feel my liver raise up and bitch slap it out of my hand. The smell of beer, fresh or stale in a room, on the breath in my face, or on clothing makes me sick. Apparently, my liquor license went out the door in my bellybutton along with my gallbladder. This is coming to you from a woman who in most pictures i am smiling, with a wine glass thrust forward in the frame as if to toast to anyone looking on and willing to share. These days, i’m afraid wine will turn my guts into a pit of roiling acid and deliver a mean hangover. So i guess i just wait, until things calm down and my liver and i come to an understanding.

And when it comes to sharing & understanding, for me, it’s often those random letters and email messages from old friends, new friends and complete strangers that i find myself sitting down to flex and exercise my writing muscles. Often, i cut and paste bits from email correspondences into the blog and vice versa, so don’t be upset if something we might’ve shared in supposed privacy ends up in some public form. i hope that doesn’t cheapen the exchange. i like to remember people and things they’ve made me consider and think deeply about. Sometimes it happens when i write them.

In some ways, i suppose i repeat myself, but i do this because, i “said” it once already, just the way i wanted to, and i don’t want to repeat myself. Redundantly unclever, i know. Didn’t you get the memo? It’s the primary reason for having a blog, it’s better than having you dig into my email, my word documents, my sketch pads in my car door and desk drawer or rifle through the stacks of dream journals at my nitestand. i mean, that’s where i go to collect my thoughts and try to reassemble them later.

Stories For Boys . . .

So, on the topic of later assembly, i dug up an old document from an upper-level creative writing course i took years ago. It’s about 70 pages loosely forming some sort of memoir. It’s not strictly linear, like you’d imagine, “i was born, this stuff happened, my mama, my pop, my sister and the hamster and the dog and the cat and the cute boy and the asshole best friend.” There are some elements of that, to be sure, but mostly i seem to mention the various people, mostly men whose friendships and entanglements pushed my personality forward and helped define me and what i do or do not want out of any configuration of friendship or relationship.

Now, that said, this is not a Willie Nelson & Julio Iglesias joint, a wide-sweeping “To All the Boys I’ve Loved Before” type proclamation, nor is it a tell-all rockstar biography. More like, what it was to grow up and make sense of the self. i’ll admit, probably owing to the time in my education and life, it smacks a of little feminism, trying on clothes, trying on lovers, divorce, mommy & daddy issues. But i think it’s a pretty fun & revealing romp, things even i’d forgotten about, so i’ll probably just intersperse them like chapters in between actual, current blogs at random, as i re-work them and under the title “Stories for Boys: (#).” They’ll be easier to tag, bag and search for.

As you might’ve guessed, i don’t change the names to protect the innocent, either. After all, we were just children then, honey. Trying to figure it all out.

March on . . .

food, work & employment

Zen and the Art of Waitressing . . .

The following introduction story brought to you by Rob Breszny, whose horoscopes are fascinating, inspired, highly crafted and dead on and whose book The Televisionary Oracle is a must read for fun and transformation.

The scene: a mother and eight-year-old daughter at a restaurant. Peering earnestly at the waitress, the girl says, “I want a hot dog, French fries, and Coke.”

The mother doesn’t acknowledge this declaration. “My daughter will have the bean salad, plain yogurt, and grapefruit juice,” she asserts.

Turning to the girl, the waitress asks, “Do you want ketchup with it?”

The girl beams at the waitress and muses to herself, “She thinks I’m real.”

The moral of the story: Make sure that you hang out as much as possible with people like the waitress.

Yes – i am a waitress. i have been doing it since i was 19, this means i have been doing it for 13 years. i must actually like it or else i wouldn’t choose to do what can sometimes be unrewarding and demeaning, but then also make you feel like you’ve given someone great pleasure, made new contacts, taught something new and helped people to truly enjoy the chef’s and winemaker’s art. and boy – the conversations and situations i overhear at dinner when you think your waitress is not listening . . .

i do more than just schlep food though – i manage the front of the house in a restaurant called The Wild Orchid Café (people think that sounds like i am a dancer at a gentleman’s club) i am also supposedly titled as the “wine program director,” which is a fancy way of saying i sit around with wine representatives from various distributors and they sell me wine which i do or do not add to my list which i then compile and update regularly. must be doing something right as our restaurant was acknowledged by Wine Spectator with an Award of Excellence. it’s a fine job – i eat well, i drink plenty of wonderful things, i make good money and it allows me flexibility for travel and education.

i ran across a terrific site called Bitter Waitress, which cracked me up and gave me a lot of industry items to laugh at. Another more esoteric read into the business is Kitchen Confidential: Adventures in the Culinary Underbelly by Anthony Bourdain who describes the culinary trenches as a team effort made up of “wacked-out moral degenerates, dope fiends, refugees, a thuggish assortment of drunks, sneak thieves, sluts, and psychopaths,” who are in all likelihood pierced or tattooed and incapable of uttering a sentence without an expletive or a foreign phrase.

and then there’s me.  or something. the struggling student/artist/life enthusiast type. we are abundant in the industry as well. but don’t let that fool you: i’m one of the last true vulgarians. i relish in my inventive usage of expletives. piss me off sometime, or leave me a bad tip, or just be around when something or someone tiresome or irritating happens. i have a fine arsenal of words. i’m a very creative little sprite, tart like lemon and lime my pretties.

on a side note and here’s my question . . . you may have dined at the finest establisments and then, you have had breakfast at all hours at Denny’s and your assortment of small greasy spoons.

but tell me . . .

what weird food request, habit or combination begs your onlookers or waitress to express confusion or revulsion, whether at home or in public?

personally i like cream cheese, cranberry sauce and turkey or chicken on sandwich bread.

i also like the occasionally pile of Doritos directly smashed into a bologna sandwich with Miracle whip, making for a crunchy textured treat.

oh – and the one that confounded Zoey was my peanut butter AND syrup on pancakes or waffles.

i request warm to hot water whenever possible because i hate having my face butted up against ice cubes, it’s better for metabolic processing and it makes it much easier to drink.