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The Invitation – for Valentine’s Day

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Oriah Mountain Dreamer wrote the prose poem The Invitation after returning one night from a party where she had found herself frustrated by the level of superficiality that these events often function at: ‘I just sat down and wrote my responses to all the usual questions that people ask – Where do you live? Who do you know? What do you do for a living? And I wrote what I really wanted to know, not just from others, but also from myself in a sense.’

Every so often i revisit this poem to remind myself the qualities i value in a mate and the ways in which love and companionship can be measured and cherished.

This – especially, on Valentine’s Day . . .

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The Invitation
by Oriah Mountain Dreamer

It doesn’t interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your heart’s longing.

It doesn’t interest me how old you are. I want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive.

It doesn’t interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow, if you have been opened by life’s betrayals or have become shriveled and closed from fear of further pain! I want to know if you can sit with pain, mine or your own, without moving to hide it or fade it, or fix it.

I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human.

It doesn’t interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithless and therefore trustworthy.

I want to know if you can see beauty even when it’s not pretty, every day, and if you can source your own life from its presence.

I want to know if you can live with failure, yours and mine, and still stand on the edge of the lake and shout to the silver of the full moon, “Yes!”

It doesn’t interest me to know where you live or how much money you have. I want to know if you can get up, after the night of grief and despair, weary and bruised to the bone, and do what needs to be done to feed the children.

It doesn’t interest me who you know or how you came to be here. I want to know if you will stand in the center of the fire with me and not shrink back.

It doesn’t interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away.

I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.

writing

Be Mine, Whomever You May Be + Letter to The Neverseen (poem)

kisses and sweet affection to all on this rainy Valentine’s Day

know that you are loved in some way
by someone, somewhere and count
yourself rich if you know love in many
ways and know it by many people

and now – a poem about love whether it exists
or whether you are still seeking it out there
amongst the parading faces of strangers . . .

Letter to The Neverseen

He says he translates me like medieval
pomegranate print nightgowns . . .
and I turn to him and mumble
hmmmm — let me taste that for a while,
let me run in that fantastic white frock
in dark and distant fields once dreamt
when i know only you are watching.
let me laugh under crystalline moonlight
let it cast the shape of my body
like a silver sword,
and let me wear the dew like earring cusps
and kelly green smoke perfume.

ok — you don’t have to touch . . .
you are the ineffable —
(but promise me you’ll watch)
as there is something i wish for you to see,
you may be
a seahorse, a starfish —
if it suits you,
if you wish.

And promise you’ll pay attention
when i turn from a saucer
to a dish,
and if i became a cup
would you rather me be a bowl?
would you find yourself drinking more?

i miss you in many ways,
i need you still more in others,
i learn you further, deeper every time
sometimes – i liken it to being . . .

lovers
looking out
over plankboard streets and cabinets,
castanets,
sunlit holes in the concrete
trying to be windows,
vines and flowers spurting from crevasses
where water runs down into rusty red-orange lines
to meet the dirt
that is the road.
Hoops and barrels of silver day-water
and the dust tarnishes everything
even the day itself
cannot touch.

Baskets and tarps,
passage and carry,
cloth covered fruit in flesh-hued skin
and me in the window ledge with
the only foreign tongue
in a land, a time, sometimes foreign to me.

And you —
you walk down the dirtroadstreetconcrete
window light field
and speak my language
soft from the path below like a surprise
like a magic-hat rabbit boy-child
in dark good fur to curl upon for sleep.
And in the sun bath,
and under your leather shoes,
the stones talk about your approach
and i steel myself,
and the words are like lovemaking
and your voice resonates firm
in my sex and circling outward into
the shafts of my hair and fingernails.

And i find in the lightest, strangest
parts of my psyche,
of this world,
that i understand words,
that i am able to sew them finely together
and make beautiful shawls
and bedsheets.

I go here whenever I hear from you:
I compose the sugar and the sass
The Litany and profanity.

This connection:
2 birds
2 bellies
2 eternal voices
meant to find solace
and unity in creation —

2 pear halves passed
from deity to deity
on blue gilded plates.

you and i are these.