art, interviews, music, nature, Vortex Music Magazine

Laura Veirs: Devotional Experiments | Vortex Music Magazine

The singer-songwriter observes where nature, science, art and activism intertwine on her 10th solo record ‘The Lookout.’

The Lookout is an electrified ecosystem of songs set under sapphire skies, in desert canyons and moonlit meadows, on sunlit oceans and over starlit landscapes, flush with color in burgeoning green, gold and red, and filled with the sounds of campfire, wolf howls and painted winds. Veirs’ harmonic vocals resonate like calls through a canyon . . .

READ the rest at the Source: Laura Veirs: Devotional Experiments | Vortex Music Magazine

music, previews, writing

Sister Act | The Quebe Sisters bring their sweet sounds to the Tower

The first time I heard The Quebe Sisters, I was standing in the woods on Pendarvis Farm in Happy Valley, Oregon at the Pickathon music festival. It was a private session of stripped-down songs, played in a quiet setting away from the larger stage and big crowds—and very intimate, except for the film crew and microphones jammed into the 10 by 10-foot concrete and wood pumphouse. I didn’t actually see them directly until they emerged—but what I heard instantly transported me to another time. It was the romantic and sentimental song, “Going Away Party,” by Texas songwriter Cindy Walker. The sound coming out of that little shed was so pitch-perfect and golden-toned, I thought it had been pre-recorded and auto-tune processed. It was as if the Andrews Sisters of the 1940s had emerged from the fires of time with their close harmony style and dropped down to the forest, fiddles in hand.

READ the rest at the Source: Sister Act | The Quebe Sisters bring their sweet sounds to the Tower

holidays, interviews, music, Vortex Music Magazine, writing

White Devils and ‘Sacred Nights’: In Conversation with David Bazan

In the darkest time of the year, perhaps even, in our culture and our larger world, Bazan invites us to “admit your despair to safe people in your life this Christmas. Be a safe person for others. Feel better. Jesus Christ, you guys.” It’s an honest Christmas wish we could all find some truth and light in.

David Bazan has been remixing and remastering a lot of different things lately. His music. His workflow. His life. He’s been incorporating old songs and sensibilities into new endeavors, like releasing his first music video, embarking on a documentary about his “existential, artistic and family life,” and touring with a very unlikely holiday album collected from annual yuletide song releases, dating back to his Pedro the Lion days.

No matter the sound—from guitar strings to symphonics or synthesizer—nor the venue—whether it’s a house show or concert hall—one beautiful consistency remains in Bazan’s music: his raw, emotive vocal delivery of difficult topics, from faith to politics and all the human faults in between.

READ the rest at the Source: White Devils and ‘Sacred Nights’: In Conversation with David Bazan

feminism, gardening, interviews, music, relationships, Vortex Music Magazine, writing

Moorea Masa & The Mood: ‘The Garden’ [Song Premiere]

On Moorea Masa’s debut collaboration with J. Most, she moves into her R&B realm with a clean, crisp, almost symphonic song with plenty of room for fingersnaps, strings and sumptuous harmonies. Finding space to grow, listen now and stay tuned for more new sounds from Masa.

Every garden goes through its cycle of life. There’s the zenith of growth in summer, a gentle decline and falling away in autumn, a death or mere sleep in winter, and rebirth again in spring. So it has been for folk-soul singer Moorea Masa herself and her newly released track, “The Garden.”

Seeds of this song have been sown in various forms beginning with an acoustic performance set in a field of wildflowers as part of Chuck Johnson’s Humboldt Live Sessions in the fall of 2015 . . .

READ the rest at the Source:  Moorea Masa & The Mood: ‘The Garden’ [Song Premiere]

books, feminism, music, sex, Vortex Music Magazine, writing

Hippies and Ukuleles For The Win: An Evening with Amanda Palmer in Portland | Vortex Music Magazine

Joined by Storm Large, Erika Moen and friends on her ‘The Art of Asking’ book tour, Palmer’s stop at the Wonder Ballroom featured heartfelt book readings, musical performances and humorous, insightful and delicious discussion. Photos by Chelsea Gaya

The wildly decorated people stood in the bleak cold, queued up in what could have been a fancy beggars breadline and looking as if the circus or the Comic Con had just let out for the night… but the show was just about to start.

The warm and eclectic crowd, smelling of musk, fur, incense and leather, pushed their way into the Wonder Ballroom on November 19—a gorgeous herd of afghan covered gypsies, finger-gloved and lip-pierced, wrapped in kimonos, wearing peacock feather fascinators. They were darkly clad, tribal-tattooed, bustiered, crow-black coiffed and mohawked. Some wore layers of tablecloth hiked up for skirts, some sported jackets fit for a white linen dinner. One girl, a bony bride in a skeleton sweatjacket, paraded past with a mass of cotton candy magenta-colored hair crowned by a headband of black flowers with a flowing, spidery veil. They came in pageboy and bowler hats armed with ukuleles. They were circus beauties and sideshow outcasts, a fanciful, freakish canvas of carnival color, and they were all here to see the woman who they were imitating in their costumed incarnations of her many looks. Miss Amanda Fucking Palmer.

READ the rest at the Source: Hippies and Ukuleles For The Win: An Evening with Amanda Palmer in Portland | Vortex Music Magazine