Tag: Annie Dillard

dreams, drinking, food, love, myth, nature, philosophy, photography, psychology

Factoid of 10

Posted on by littleREDelf

so . . . i was tagged. more, i was asked to write a blog with 10 random things, facts, goals, or habits about mys(elf).

this longish little labor of love is dedicated to Virtual Angel and Laura, (thanks for waiting pretty ladies) though i will break the trend by NOT tagging anyone directly for obligatory response and instead invite anyone to tell me one random thing, fact or goal about themselves here as an optional comment.

i will start big and descriptive and then i will try to scale down to some simple trivia.

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1 i am a nature nut. I have a profound respect for all things furry, things with leaves, scales, fins, feather and especially wings. And not just the pretty things like moths and butterflies, but birds and even bats. I have picked up butterflies dashed by car radiators flapping at the roadside. i’ve hand fed a dazed hummingbird after thudding pitifully into a window and was amazed to have it fly directly out of my hand. i have carefully pulled a baby mouse from a glue trap. Out of sheer interest, i took great pride in planting and cultivating a small but beautiful garden and i raised giant silkmoths (Saturniidae) for a year. i have photo documented nearly all of the above in great detail.

This all adds up to the fact that i wish i were a National Geographic level photographer (though i did finish in the 3rd annual Smithsonian contest in the category of Altered Images for a photo of a red tree.) my photos have also been featured in a Maryland Department of Natural Resources Calendar and on a species sign at the Calgary Zoo (for a HUGE bat called a Malayan Flying Fox.)

To remind me of the fragility of the natural worlds (humans included) i keep a little wooden box on my bookshelf. Some would consider it a bug sarcophagus but it has several wings, some full bodies of, and some single panels of glittering, scaly, colorful butterflies, moths and a fully intact dragonfly. I’m not a pinner and framer or a freezer or a killer. None of this Silence of The Lambs nonsense . . . i would just find these and collect them in the field as is. Creepy to you maybe, but delicate treasures to me.

2 i move slow on Sundays. Meditatively so. Or more at, sometimes, i don’t like getting up in the morning. Correction. i do NOT get up in the morning, i typically rise in the early afternoon. Morning for me is 10am to 11am. 9am is really pushing it. Anything prior to that and i am either sleeping, or some kind soul is cooking up a mean breakfast in the kitchen that has roused me and my hunger. Or –  i wake voracious and i am found making a tall stack of pancakes, towering like fluffy beige clouds or a big mess of cheesy scrambled eggs. My Sunday ritual is this . . . Rise late. Drink tea. Eat breakfast for lunch. Stay comfortable. Snuggle with Joe. Read or write of fill my mind and heart with music and art. I am not religious (unless you count nature) but i understand why people go to church, why they don’t want to work, why they choose forced respite on Sunday. as midnight approaches on a Saturday, bringing to close a full day, a full week lived and loved, greeted and embraced, photographed and written about, drunk down and eaten full, documented, cherished and learned from, i see the world as my church and the amazing places, people and things in it, all beautiful, meaningful and deserving of reverence in their own godlike ways. So i need time to digest my universe. And i refuse to work on Sundays. For at least the past 10 years . . . ultimately, i try to live my life as if it were a string of neverending Sundays: i eat when i am hungry, i sleep when i am tired, i work when i need the money, i rest when my mind or my body calls for it.

3 i am guilty of magical thinking. This is because i believe i lead a charmed life. Truly. In a world of random bullshit and utter chaos, i find myself wildly lucky. this works for me in a positive way not a paranoiac way. Many, many positive things, people and opportunities have filled my life. The places i’ve traveled to and seen, the wine i’ve consumed, the food i’ve eaten, the music i’ve absorbed, the people i’ve met, the true friends and the necessary lovers over the years and now, the perfect husband i now cherish. Where does the magic come in? i believe these things have been delivered to me from sheer wishing, from dreams, from asking the universe out right, from applying my mind and my will to them and invariably, from making the good decisions that put me in the places where the magic indeed happens. Oh yeah – and i think faerie folklore has a good bit of truth and i don’t care what you think that means. The boon of art and writing inspired is plenty. i look for signs in everything from placement in time and numbers on coins, to colors worn for effect, from license plates to billboards, from overheard conversations to the small, pinched flower mouths of children. Myths are made daily. i live like that . . .

4 i prefer to eat with my hands. I can even been seen eating a salad like this. Sure – i’ve worked in fine dining for the better part of 16 years and i know how to set a proper table. Even so, i use my right hand like a little claw or a prong, gathering three fingers and a thumb into a quadrant, leaving the pinkie out. i like gently tearing off hunks of cake or gathering a bundle of French fries and bringing the whole of it to pursed lips. i often taste sauces on plates with my fingers first before going in. it doesn’t matter how fancy or how low country the food is, though i will often employ the proper tool at the proper time, i still prefer the direct tactile sensation of bringing food to my mouth with my hands. and as for beverages, i’ll drink wine out of anything, including a bowl.

5 i’ve tried my hand at every artistic arena minus sports. i’ve attacked and completed most ventures with moderate success and still continue to grow in the ones i’ve decided to hold onto. No one told me i couldn’t or explained that i might fail so i tried everything to see what i was good at with joyful abandon. i play acoustic guitar and a smattering of piano, i even tried flute and saxophone. i sing mostly as i discovered it was my best instrument and used it to front a band. i’ve been recorded. i’ve sketched, painted and sculpted. i took jazz for a few months and performed in precisely one dance recital in a hideous pink and black polka-dotted bodysuit with crinoline skirt when i was 15. i still write quite a bit and have been published in small collections that i have entered and/or was editor-in-chief for and won minor educational scholarship contests for writing when i began my college career. Then there’s the photography bit too . . . as previously mentioned.

6 secretly – or maybe not so secretly, i want to sift through my writing and author a book. Poetic prose, nothing too confessional, something probably more at short-story/essay-type of writing. If there were a way to amalgamize the astute natural observation of Annie Dillard, the humor of David Sedaris, Douglas Adams or Christopher Moore, and the delightfully dense prose of Tom Robbins, fluid and delivered in equal parts, then this is the book i want to write. i mean – aren’t we all very busy writing the Great American Novel?

7 Socks. i love them. Especially knee-highs. The longer, more silly, more sexy, more striped, more full of cats and flowers and polka-dots and eyeballs and stars, the better.

8 Being naked. This is my preferred state. And i don’t say that to be provocative. i like senseless nudity. Like, i prefer to be naked cleaning the tub and bathroom tiles (so i can shower after!) or fresh out of the shower composing email naked in front of the computer with a towel on my head. i like doing the dishes naked or dusting the bookshelves on a chair naked or my favorite, stripping down in front of the washer and loading the clothes into the basin naked. Also combine this with 7 and you get naked plus socks – another common state of mine.  Because i dress according to mood and function, it takes me awhile to decide what i’m wearing for the day so if i don’t have to go anywhere on the immediate, i’ll just wander the house naked until i get inspired.

9 Oregon. This is where i want to live. I want to see mountains and water, to hike to camp, to breathe and eat healthy and sleep soundly to the rain. All of this with my husband Joe, in a home with a fireplace and a wall stuffed with books (or a proper library), with a couple (or few cats) and a big porch to watch the birds from, a backyard without a fence to hold back the garden of flowers, herbs, vegetables and lavender, a few comfortable chairs, a bright window to look out while i write and read, and a nicely stocked kitchen and pantry with plenty of cupboard space for us to feed ourselves and entertain the people we adore. There is a plan in place for this eventual utopian move . . .

And last for 10 i give you . . ..

10  My Top 10 List of Tiny Zen

  1. the top of my cat’s head (where smooches go)
  2. Mango flesh – if you want to learn to kiss, eat one, with both hands
  3. the smell of onions frying in butter
  4. the crisp of autumn experienced through an open window
  5. blood orange hot tea
  6. an afternoon nap in a cool, dark place
  7. lavender – in any form, mixture, balm or concoction
  8. a sexy, luscious, viscous red wine
  9. Jasmine Rice steaming
  10. cold champagne in a hot bath

and the invitation is now yours, should you choose . . .

books, nature, writing

The Force That Drives the Flower

Posted on by littleREDelf

Years ago i read “Death of a Moth” by Annie Dillard and was so struck by its communal feel for nature and humanity and mortality. The essay appears in a collection called “Holy the Firm.” One interviewer described Dillard’s themes as “beauty and cruelty, intimacy and horror, extravagance and waste” and i think that puts it succinctly. There is ecstasy and suffering in her fluid, lyrical, mystic and intensely contemplative words. I think about that now as the seasons change and I find myself saddened by the images of nature dying off and bedding down for sleep. I want to tell of it, reflect on it, write it – not take its picture . . . but i may reconsider if the composition calls out.

Annie Dillard was stricken with a near fatal attack of pneumonia in 1971. Years after she recovered, Annie decided that she needed to experience life more fully and so spent four seasons living near Tinker Creek, taking up residence on an island in Puget Sound in a wooded room furnished with “one enormous window, one cat, one spider and one person.” For the next two years she asked herself questions about time, reality, sacrifice death, and the will of God.

She spent her time outdoors, walking and camping, being there with nature in an area surrounded by forests, creeks, mountains, and a myriad of animal life. When she was inside, she mostly read. After those four seasons, Annie began to write about her experiences there by the creek (challenged to write a book herself because the one she was reading at the moment was particularly bad).

She started with a journal, then transposed it all to notecards until the journal reached 20-plus volumes. She was timid about presenting what would become her book publicly and even considered publishing it under a man’s name. It took her about 8 months to turn the notecards into the Pulitzer-Prize winning Pilgrim at Tinker Creek. She was so absorbed that she spent 15-16 hours a day writing, cut off from society, world news, living on coffee and coke. She lost 30 pounds and all of her plants died. After her Pulitzer win, all those who had rejected her works before she was famous, now clamored for her poems.

Seeing as how much i do love my winged creatures, and how much I admire Annie Dillard and her experience with nature and writing, i thought i would share the above linked title to the short story and the excerpt below, written in 1973 and printed in The Atlantic Monthly in 1977.

ENJOY!

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The Force That Drives the Flower
by Annie Dillard

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I wakened myself last night with my own shouting. It must have been that terrible yellow plant I saw pushing through the flood-damp soil near the log by Tinker Creek, the plant as fleshy and featureless as a slug, that erupted through the floor of my brain as I slept, and burgeoned into the dream of fecundity that woke me up.

I was watching two huge luna moths mate. Luna moths are those fragile ghost moths, fairy moths, whose five-inch wings are swallow-tailed, a pastel green bordered in silken lavender. From the hairy head of the male sprouted two enormous, furry antennae that trailed down past his ethereal wings. He was on top of the female, hunching repeatedly with a horrible animal vigor.

It was the perfect picture of utter spirituality and utter degradation. I was fascinated and could not turn away my eyes. By watching them I in effect permitted their mating to take place and so committed myself to accepting the consequences—all because I wanted to see what would happen. I wanted in on a secret.

And then the eggs hatched and the bed was full of fish. I was standing across the room in the doorway, staring at the bed. The eggs hatched before my eyes, on my bed, and a thousand chunky fish swarmed there in a viscid slime. The fish were firm and fat, black and white, with triangular bodies and bulging eyes. I watched in horror as they squirmed three feet deep, swimming and oozing about in the glistening, transparent slime. Fish in the bed!—and I awoke. My ears still rang with the foreign cry that had been my own voice.

Fool, I thought: child, you child, you ignorant, innocent fool. What did you expect to see—angels? For it was understood in the dream that the bed full of fish was my own fault, that if I had turned away from the mating moths the hatching of their eggs wouldn’t have happened, or at least would have happened in secret, elsewhere. I brought it on myself, this slither, this swarm.

I don’t know what it is about fecundity that so appalls. I suppose it is the teeming evidence that birth and growth, which we value, are ubiquitous and blind, that life itself is so astonishingly cheap, that nature is as careless as it is bountiful, and that with extravagance goes a crushing waste that will one day include our own cheap lives. Every glistening egg is a memento mori.

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for the rest of this story . . . go HERE.