love, nature

song bird

something moved, sparkled
and i began untying knots
nimble fingers rifling through
the jewelry box, digging
deftly sorting rings, hoops
and chains and things with teeth,
gathered them up and plucked
them out, separate as harp strings.

the stories came tumbling then,
and ghosts breathed out, back
into incarnate skin, turned to
dance but stumbled and i went
yellow then green and mango red
to the tango hidden in the licks of violin.
that quick taste masqueraded as a kiss
and burned my mouth like cinnamon.

gypsies know each other by flavor;
we send blackbirds and grackles,
recognize the dark eyes, otherness
and cats with raised hackles, wearing
question marks on their tails as
they approach and sailor, i’d answer you
if i knew who you aren’t, if i could
coax you in by your wind-torn sails.

so make way love, if that isn’t
your name; i still have room enough
to draw the moon-shaped blade
from the stocking top, from the boot
strap, from the winter warm place
i’ve saved for the never-met familiar
whose passion precision hands are
safe enough to draw the down pillow
away from the small of my back and
cup me cozy as an egg with a spoon
as i am so very ready to crack.

i will welcome you in knee-high socks
with garden dirt under my nails, guitar-
scaled, blistered fingertips, blustery-
weathered eyes, laughter on my lips,
arms/legs moved apart, ribs split, ready
for reaching heart. and our language
will whistle-chirp, a bird-like canter
begging to borrow breathing fleshtones
and breaking wanton bones against
that long-dead banter.

i will put my pretty things away, untangled,
become them instead, take tea and call crow,
unblacken the day with blackberried jam bread.
digging deftly sorting rings, hoops and chains
and things with teeth. i will gather you up and
let us be plucked, separate as harp strings
thrumming one warble, liquidly sung.
let me move against you like water . . .
and moisten your avian tongue.

~ Andrea E. Janda

writing

Casting the Deeper Reflection

She bends into the pool of water with softer expectations.

She has come here to know what the others must see. She wishes to throw off her feathers and know grace. She wants to leave the rippling wake of the Swan. It is not what she sees, but what she feels when she sees it. She drinks deep of herself, pulling down the stones that hold the water back, untying those ribbons that make her simply, “girl,” and she understands these things for the first time:

the shape of her hands as instruments, not locks,
the curve of her mouth as sugar, not starch,
the lilt of her speech as power, not prattle,
the set in her gaze as intention, not ignorance,
and movement of her body as purpose, not presence.

She leans inward, she takes inventory, unearths the wreckage, and blossoms. They will see her differently, now. They must. For she has come to reclaim what she had before not recognized.

I am She.
. . . And i have always been.

I realized my own life force — my own powers.

There was far more in the reflection than a creature with dimples and delectable features. i was no longer a map of fine shapes to plunder. No circles. No Triangles. No lines. No jutties. i was more than a giggle and a hair toss. More than a Mistress and a Maiden. i was something with wings. i was fire and water and magic and truth, and it came from me in waves: out of my fingers, out of the breaths i spoke, out of the voice i lilted and thrust into song, and from the burning tendrils of silken-red hair when i turned to listen.

When the change occurred, they stood watching. Some came to embrace. Some came to crush. Some came to borrow and to bathe. And still some others came to steal. Always, there are those that want to get close for their own intentions. Both come into your night, both come into your Garden to feed on things that grow and fuss, blink and bluster. But some come on white-dusted looms to leave only glitter on your finger when you touch their wings, and some come elusive but gorgeous, with their own space and light, vanquishing dark, green and etherly. But most important the change delivered my sight, my strength to recognize dark moths from fireflies.

I wasted my time kissing villains.

i knew what a lover was but i did not love. i saw it in black and white and red. What i knew of love taught me how to leave one slowly and to tear flesh as i went. i did this only to fill the open mouths, the holes, the digs in my own flesh that were missing. When dark angels move in, you cannot see that under their cloaks are wings and within their wings are pinions and any one feather, small and sable, can be fashioned into a fine dagger or an ink well to scribble their name from head to hip in long red letters the length of your paper white canvas. But wings can be bound, as hands. Or cut. And wounds as words can be sewn and stifled. i allowed few wings to brush my cheek and fewer still, the hands that cut through my skin and left weeping scars.

She leaves the water to the wild.

Silver fish with golden eyes. They must know something about breathing from a mutable element that she does not. How can you drink what can tear down the shore? How can you bathe a sharpened something in a fluid that will tumble a stone, a shard of glass, until it is safely smooth and delicate? What did Narcissus see but an Echo? And what does an echo teach but to love only the song of yourself, though the body shrivels and the bones become stone. A flower is nothing that cannot wither while the eye inside denies this death.

She wishes . . .

to be blind as Tiresias, as the twin thoughts of a soft, penetrable creature; worry and pleasure slither over each other as cool as snakes. And when those mouths open to swallow, to draw breath and blood, when all of love repeats, a tongue can trick. To taste is to suffer, and the resounding “yes i will i can i do i am” doubles back. She swims away into the depths of the next breath, and she leaves a rippling wake. Her feet do not touch the bottom stones and she draws the water, a nectar for nymphs. Her eyes light in golden flame, two suns on the lake, and her skin smoothes out silver, her hands web to fins. She will not crawl wild-eyed, with her fingers in dirt, she will wait underwater for her hands to break and her wings to grow back, and then —

Emerge.

writing

unamused

the muse is a strangled messenger tonite
hands clenched, cloth-bound
thoughts escaping from tendrils of hair
like so many red-ribboned kite strings
up there searching out safe clouds yet
snarled in the black fingers of trees,
tethered to snake-skinned telephone lines
and no one electric is talking on the wire.

words backsliding, kicking and biting
doubled-up, dropped, uncoiled nonsense
a tired, escaped lover leaves
a cold kiss like the pelt of sleet
a callous, sandpaper caress.

the endless white noise of fictional rain storms
and his name so close to water, pours
through my broken, cupped hands.
but the words won’t come with tapping
nor gathering –
no puddle collects in sand.

into hopeful shallows, a shining line is cast
while empty hooks come back, silver glinting
eyes and teeth smiling still, the dead promise
of sleep.

the muse he used to keep me up at nite
incessant chatter until i heaved a sigh
and agreed to write.

but the muse is a strangled messenger
the scribbling not a song, just a rhythm of
the t cross line little e open eye
half me still i m tied up in the two-looped
l and the double-hump of m
waving goodbye dropping two consonants
g (ee)
(wh) y
below the line.

two cat tails switching in time
to music i cannot hear through my
own wild whispers
and deafening cries.

~ Andrea E. Janda