death, dreams, health, love, myth, nature, psychology, weather

The Egg Moon & The Deer-Woman

The Firebird Does Not Learn

She is an egg and every shadowed glance,
every silent forest destroys her.
She is newborn and the shark-tooth grit
of the earth clings to her wet eyes.
She is in flames, the jeweled fire
that everyone remembers,
and then, what she had not foreseen,
She is burned and not consumed.
Burned. She feels her feathers
knit together. Burned. It hurts her
to heal. She is still.
She dreams of the next dawn,
a darkness, a nest of ash.

‚ÄĒ¬†Kate Horowitz

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Tonight was the full moon. The 9th of April. The Pink Moon. The Egg Moon. Even the word April sounds like rain; it spittles from the mouth with the open promise, the gathering of air for the “A” and the plosive “pr” ending with the tongue lap of “l” at the back of the teeth. Water held back, pressed behind the dam. But that rain, as the rhyme goes, the April showers hold the promise of May flowers. Considering the wild rains Portland tends to get on the regular, I¬†would wager that despite a couple of stellar 70 degree days that visited us early in the week, there is still a good bit of watery April left and that will require some patience. Next full moon‚ÄĒThe Milk Moon. The Flower Moon.

Luckily, the flowers are already showing their pretty faces in the garden; purple and pink hyacinth carries on the air like a honeysuckle perfume, the camellia trees in my yard bloom bright red, some mottled with white stripes, the yellow, white and violet crocus and buttery daffodils are plenty, and the tulips have unfurled their emerald green bunny ears, though the buds are still closed tight as peapods, so many meditative eyelids, dreaming something deep and colorful. A flurry of cherry tree blossoms drift into the yard; heavy Spring wind casting a false snow, a white mimicry of Winter’s last stand.

While wandering the perimeter of the house, I found a lonely patch of trillium, a tri-fold of green heart leaves lifting up triangular white flowers, a basket of stars, everywhere in 3s.

But that’s the best part of Spring‚ÄĒeverything coming back from Winter’s sleep, seemingly, from the dead: the flowers, the trees, the animals, the goddess Eostre, Jesus. Me.

I’ve been feeling better, I’m cooking more and enjoying all the smell and tastes and textures of food. Something happened last full moon, some strong anxietal force moved through me. Some part of me died a little, something, someone else resurrected. It was what i asked for, and lately, as I¬†am sleeping more soundly, it is a common and powerful theme when i dream. Death, rebirth, fire, water, flying, wings, feathers, hands in the earth, digging and digging, biting and scratching my way through.

Gerda and the Reindeer | Edmund Dulac

Two nights ago I dreamed I stood in a huge backyard, a large farmhouse behind me. It wasn’t quite an open field as it was fenced off. The grasses were tall in places and something straw-colored was moving through the area towards me. But all I¬†could see were its dark eyes and furry antlers. It seemed to be part moose or reindeer and masculine‚ÄĒit was so large, but as it drew closer, it became softer, graceful, almost feminine despite the large antlers on its head to indicate male. It was more a Mule deer, a buck.

We both approached each other cautiously and as the deer stood still before me, it morphed into a woman. It occurred to me that i should invite her for dinner; a big party was being thrown by extended family, though it was no family I¬†knew of and no occasion i could name. When I¬†introduced my new friend to the men in the family, they leered a bit, patted at her long legs and lap asking why she was so quiet. I explained that she was foreign and didn’t speak the language, so the deer-woman just smiled softly at them and looked strangely at me. I¬†grew anxious as we visited because I¬†felt that at any moment, her glamour would break and she would morph back into the powerful, antlered creature that would bound through the room, kick over furniture and dishes and smash through the back door to escape. The thought plagued me so heavily, I¬†pleaded with my eyes to the deer-woman, and indicated with my head that we should go back outside. She nodded and followed me.

Once we were outside, she became the buck again and wandered out into the forest where I followed her/him. A bright shock of sunlight stunned the deer and it turned on me, knocked me over, bleating, snorting and biting at my neck. It was part murder, part mating. The world went dark in a swirl of tree canopy, pearl grey sky and clouds of shattered eggshell.

When I woke, it was the woman again beside me, waiting for me to rise. My sense was that I was dead, but undead. Not quite vampire, but stony, pale and cold. I was able to move fast, to levitate, to fly and could bring someone with me, transferring the powerful ability to them, with them, so long as they linked hands or an arm with me.

The deer-woman had someone with her now, and I had a faceless someone with me. The four of us flew around until we came upon a memorial site. A grave with no body. A decorative brass commemorative plaque. With my name on it. But it was not my current married name. It was my maiden name: Andrea Jackman. I wiped dirt away from the plaque, collected cigarette butts and trash thoughtlessly discarded in the grass surrounding it and threw these things away. I felt sadness, but also, realized, it was not truly myself that was lost or dead, but a previous incarnation of self.

This lead me to seek out the mythology of the deer, the stag, ways to interpret the dream. Some of it I¬†knew, but some of what I¬†found amazed me in my own psyche’s ability to deliver the message.

It begins even in Neolithic Cave art where the depiction of people for hunting or shamanistic practice, dress in deer hide and wear antlers. In Classical times, the ‘Stag God’ was paramount to the Scythians and other peoples across the Eurasian steppes. To the Hungarians (my ethnic background) there is a great horned doe, which shone in multicolour lights and its antlers glittered from light.

There is the Spring renewal, the chase after the stag is a hunt for the return of the sun, searching for its light and heat which during Winter is taken away by the stag. The girls of the legend are the does, the daughters of light (Leukepius in Greek), who return the light and fertility of the sun. For that reason they have names which indicate “light, white, burning” Dula=Gyula,Gyul…, Sar=gold, light, stag. Bular or Bugur=stag in Turkic.

Ancient Norse mythology tells how 4 stags run in the branches of the ash and browse the foliage of the world-tree Yggdrasil, eating away the buds (hours), blossoms (days) and branches (seasons). Their names are: Dain, Dvalin, Duneyr, Durathor and are thought to represent the four winds.

In Greek mythology, it is the Keryneian stag, a fantastic beast with golden horns and brass hooves sacred to the huntress-goddess Artemis who turned herself into a white hind (female deer) to avoid being violated by two giants.

The deer is also a central religious image for Buddhism. Buddha is often pictured with a deer, and legend tells how he first preached in a deer park. The deer image itself representing innocence and a return to the wilderness.

In Celtic mythology, the deer is a magical creature, able to move between the worlds and many tales have humans transformed into deer. For example, St. Patrick was said to have transformed himself and his companions into deer in order to escape a trap laid by a pagan king. Cernunnos, the Celtic Horned God, was depicted with the antlers of a stag; he is said to be a god of fertility and plenty, and to be the Lord of the Beasts. According to some, his antlers symbolize a radiation of heavenly light. Images of stags were supposedly used to symbolize Cernunnos in non-human form. In the Welsh tale of Culhwch and Olwen, the stag is one of the oldest animals in the world, along with the blackbird, the owl, the eagle and the salmon.

In some parts of Asia, deer are considered to be conductors of soul and thus the robes of shamans are usually made out of deerskin. Likewise, many Native Americans believed deer and other animals with forked horns and antlers represented forked or double nature. When the Cherokee traveled during harsh winter weather, they rubbed their feet in warm ashes and sang a song to acquire powers for the four animals whose feet never were frost bitten‚ÄĒopossum, wolf, fox and deer. To the Pawnee, the deer is a guide to the light of the Sun. The Panche Indians of Colombia believe that human souls pass into the bodies of deer after death and therefore eating the flesh of deer is forbidden to them. In ancient Mexico, deer were sometimes depicted carrying the Sun (similar to the ancient Steppe myth and the Scythians).

The antlers of the stag are compared to tree-branches (the world-tree Yggdrasil) and since they are shed and re-grown every year represent fertility, rejuvenation and rebirth. Carl Jung noted that “the stag is an allegory of Christ because legend attributes to it the capacity for self-renewal … In alchemy, Mercurius is allegorized as the stag because the stag can renew itself.”

This close to Easter, my mind is swirling with birth, bunnies, blossoms, eggs, animals, the moon, the sun, Christology, oh and sure, I’ve some room for chocolate in there, too. After all, it is the sweet delectables, the luscious plenty, the little gifts, and the small rewards that make such great love and transformation possible. But was my dream telling me to lay off the Twilight series by conjuring a vampire deer? Was I truly dead? Rutting? No‚ÄĒI’d like to think it’s the change on the horizon, the promise of sun, a great white fire I¬†am still chasing after in the woods. Some promise borne out of rain, softening the edges, washing away the ashes, waiting for me to rise from a bed of flowers and turn my head up to the clouds of shattered eggshell to see the robin blue sky.

death, dreams, friends, love, myth, pets

learning to fly

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As the sparrow in her wandering,
As the swallow in her flying,
So the curse that is causeless
alighteth not.

~ Proverbs 26:2

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Olivia called me while driving and said, “i’m at a red light, thinking of you.”

And in my little self-absorbed funk i quipped, “Why,” and snickered, “because my signs say STOP?”

“No, because it’s RED,” she laughed.

A few dream cycles ago, the reddest of thoughts wended their way through the white matter that is my brain in a state of sleep, and i awoke, emitting pink smoke and in a haze from the most fantastic visions. my signs lately, they stop other things, they cut them off, they shine dark red warning light into my face: a submarine submerging, a whore advertising, a dark room for developing images, distant galaxies red-shifting, moving away from each other and then the signs switch and i turn right and the color begs me to go, go be green, be verdant, to grow. to GO! and i do.

i dreamt i was taking a shower in a brightly lit bathroom with a huge window in the shower stall. on the wall outside of the shower, where a medicine cabinet or mirror should hang was instead, a large vent recessed deeply into the wall, slatted for ventilation, as in a factory. i could hear birds chirping, chattering, squawking, and scratching around inside. it sounded like nest building, like an argument, like a rusty gate swinging in a storm.

a small blackish bird got loose and slid between one of the slats and out into the bathroom where i stood naked in the light. it was brightly yet darkly colored, iridescent like a Raven yet smaller, like a grackle. In Norse mythology the god Odin (for which i named my cat) kept a pair of ravens called Hugin (thought) and Munin (remembrance). Even Odin himself would occasionally shapeshift, becoming a raven. But his pets, they took flight in the morning and scaled the earth, asking questions and begging secrets of people, even of the dead before returning to the shoulder or the throne to whisper all they had seen and heard into the ear of their master.

The raven symbolizes solitude, gratitude, affection, wisdom, light, hope, longevity, death, and fertility. In alchemy, it represents change and the advanced soul dying to this world. Conversely, the grackle is typically a sign of Spring, perhaps of re-birth, the dark keel-shaped tail sailing in just before the Robin’s red-breasted return. But this bird was smaller and something about it was both sweet yet sinister. i bent down to push my finger against its chest to scoop it onto the ledge of my finger and it pecked me lightly. The grackle is an omnivore, which means it will eat almost everything that doesnt eat it first, so i thought it might take my finger off, but instead, it turned its head sideways at me and glared then clamped down onto me with its talons before flying out the window. Was i dying to this world or was i becoming new?

somehow from contact with the bird i developed a curse. i was new by design but i brought death instead. any man i touched, any man i put my hands upon out of love would turn ashen and grey, then disintegrate, like burning incense. with one boy i learned i could touch him with my toes and so we held feet under the table during dinner, but when i got too comfortable, when i forgot myself, when i curled into the crook of his arm as we watched a movie, i placed my hand gently on the outside of his forearm thinking it wouldn’t harm him if i touched him through his clothing, through the sleeve of his maroon jacket. he turned to me, he grew stock still, his eyes grew wide as tears welled in my own. a wave of frightening, sure knowledge crashed over us as he turned a grey replica shape of himself, then fell into a soft pile of silver ashes below me.

i went to see a bruja, a Mexican witch and she drew a curse book from a dark drawer in a table. “You have the Blackbird’s Curse,” she told me. “You must trust and they will remain. You must love openly and it will pass. The bird will come to you again and you will be safe and your lovers safe from harm.”

do i mistrust so much i withhold emotions and never give myself away Рboth betraying and denying myself? or do i flay myself so wide open that i bleed a murder scene, make a mess of things until my lovers evaporate, leaving only a chalky outline?  or will everything i touch simply dissolve while i am waiting to hear his call above all others? will i understand him when he calls, will i know him when his feathers brush my cheek or feel him when he finally reaches out and clutches me?