Joined by Storm Large, Erika Moen and friends on her ‘The Art of Asking’ book tour, Palmer’s stop at the Wonder Ballroom featured heartfelt book readings, musical performances and humorous, insightful and delicious discussion. Photos by Chelsea Gaya
The wildly decorated people stood in the bleak cold, queued up in what could have been a fancy beggars breadline and looking as if the circus or the Comic Con had just let out for the night… but the show was just about to start.
The warm and eclectic crowd, smelling of musk, fur, incense and leather, pushed their way into the Wonder Ballroom on November 19—a gorgeous herd of afghan covered gypsies, finger-gloved and lip-pierced, wrapped in kimonos, wearing peacock feather fascinators. They were darkly clad, tribal-tattooed, bustiered, crow-black coiffed and mohawked. Some wore layers of tablecloth hiked up for skirts, some sported jackets fit for a white linen dinner. One girl, a bony bride in a skeleton sweatjacket, paraded past with a mass of cotton candy magenta-colored hair crowned by a headband of black flowers with a flowing, spidery veil. They came in pageboy and bowler hats armed with ukuleles. They were circus beauties and sideshow outcasts, a fanciful, freakish canvas of carnival color, and they were all here to see the woman who they were imitating in their costumed incarnations of her many looks. Miss Amanda Fucking Palmer.
Panty shields up, Captain! We’re rebooting the Ovarian Operating System . . .
I know, the title of this blog alone makes you want to click fast and away. But I have to tell you a tale of consumer eco-angst removed from the simple and often expensive decision to buy local, organic products and food. But first, a little herstory . . .
There’s already been enough shame, secrecy, and taboo surrounding “that time of the month” and all the other fine euphemisms invented to be humourous or circumspect about the mystery of menstruation. There are countries where tampons weren’t and still aren’t sold because you’d have to “touch down there.” There are women who follow this practice willingly, even in forward thinking countries. They build huts and red tents and spas for this exact purpose. To wear pampers or to be pampered. Elsewhere.
But it’s moved beyond that to a place where we’re supposed to celebrate and “have a happy period,” a campaign from a company that stupidly chose their brand name to be “Always.” As in, “I’ll ALWAYS bleed, and I’ll ALWAYS wear these things.” At least Kotex, Tampex, and Playtex (all with –ex as a suffix to mean “out, from or away”) sound almost medical or medicinal. And it’s not ALL feminine hygiene, even wounded soldiers are prone to use a tampon (French for “plug” or “stopper”) to halt bullet wounds from weeping. “Always” doesn’t seem to imply medical or even chronic, instead, it implies a life sentence. Doesn’t your uterus protest? Well it should. War is hell and there’s a war in your drawers and the sick folks at Always were also responsible for aerodynamic pantyliners and pads. That’s right – they got your code red covered in homeland security and you can feel secure each month knowing there’s a little, white F-16 in your pants.
It’s not just a troubling war at home either . . . it’s covers many land masses and miles of ocean.
Your average lady uses 16,800 tampons in her lifetime, that’s 250 to 300 pounds of tampons and applicators. Tag on a few thousand pads and panty liners, and your ecological footprint is looking more like Sasquatch. Of particular offense are the plastic applicators some tampons are encased in. They are casually tossed into wastebaskets where they later escape the curb trash or landfill, trotted off by animals, resurfacing in parking lots and playgrounds and a host of other locations you’d rather not see them appear.
They come back from the watery depths to haunt you, too.
Plastic tampon applicators from sewage outfalls are one of the most common forms of trash on beaches. Yeah, you thought food wrappers and glass bottles and needles were the only gross & hazardous materials washing out to sea and coming back in with the tides. You flush them and that’s just the beginning. For building owners, pads and tampons that are flushed down the toilet are the most common cause of plumbing problems. Further down the flow, they end up the sewage treatment plants and surf into a lake or onto a river, and on into the ocean where they pool with the rest of the plastic detritus at the Great Pacific Garbage Patch. There it all sits and breaks down into ever smaller particles until they are the size and color of plankton or worse, are pelletized high-density polyethylene (HDPE) white “nurdles” that resemble fish eggs or food to sea creatures. Then the birds and fish ingest these hormone disrupters and concentrated toxins like PCB and DDE and the circle of life gets a big kick in the nurdles.
But it’s not just the animals somewhat removed from you, you’re an animal too, and guess what it’s doing to you by directly inserting it? Your conventional feminine hygiene products contain a mixture of rayon and cotton. Rayon is in your blouses, dresses, lingerie, linings, scarves, suits, ties, hats, socks, the filling in Zippo lighters, blankets, window treatments, upholstery, tire cord, yarn and diapers. It’s highly absorbent but no good at retaining shape and as far as biodegradability goes, it’s a real loser. Most importantly, synthetic materials like the Rayon used in tampons show an increased risk of toxic shock syndrome (TSS), particularly for superabsorbent tampons. So if you’re a bleeder, you’re a feeder.
And sweet, white cotton isn’t much better up in there. Cotton is highly pesticide-intensive; 25% of pesticides used globally are devoted to growing cotton. To achieve that lily-white look, pads and tampons are bleached with chlorine, a process which creates dioxins, a known carcinogen and those bad boys shouldn’t be placed anywhere near your reproductive organs. And you swear you never smoked a cigar in your life. Especially in a donkey show.
Think Outside the (Tampon) Box
It’s getting easier to select tampons, pads, and panty liners made from organic, unbleached cotton which is cultivated without the use of pesticides, fungicides, herbicides, sewage sludge, irradiation, petrochemicals, or genetic engineering. All of which we now have think about when looking at the towering isle of soothing, pastel colors, reminding us that yes – we’ll be back out there swimming, riding ponies, surfing at the beach and smiling while playing miniature golf in NO time.
O.B. tampons: small box, no applicator. Compact, simple cellophane wrapper covering them, easy to use, and take up very little room in your purse. It is unfathomable, but some women simple aren’t down with getting that up close and personal with their own lady bits and maybe getting their finger a little spotty. Come on darlings – this is no time to be prim and squeamish. If you haven’t seen it in a mirror to understand how it goes together and pushed the buttons to see how it works, you don’t deserve to have sex and should just hang an “Out Of Order” sign over your girdle loop. Get over it. Get into it. It’s yours. Deal.
OG-style Tampax: wrapped in paper, cardboard applicator that breaks down relatively quickly if they happen to get loose in the environment. Preferable to the Pearl brand, which has an indestructible plastic applicator strong enough for shotgun shell casings and is then further wrapped in coated paper. Awesome. Go ahead. Try running them over with your car. You can’t destroy them. They’ll only get dirty . . . and more angry. That plastic rocket launcher is just one more wasteful obstacle between you and your nana. I don’t even want to go into the perfumed varieties. Now on top of your plastic fetish, you’re going to open a vapor-impermeable pouch and stick this vulcanized, alcohol soaked albino vampire into your hoo-ha where no one and nothing but your senseless cervix can smell it? Well it doesn’t work and now you smell of lightly talcumed meat. Fail. p.s. Talc is closely related to the potent carcinogen asbestos and talc particles have been shown to cause tumors in the ovaries and lungs of cancer victims. So hey – go easy on sprinkling the Johnson’s about your leaky basement. It’s a safety hazard. You’ll slip and fall. No need to announce “clean-up on aisle one.”
Natracare and Seventh Generation: chemical-free, non chlorine-bleached, simple packaging which means even less waste. Eco-conscious enough with all the key ingredient and disclaimers including no animal-testing and skin-tested only on fellow humans. You can sleep well in the knowledge that no bunnies had to hop about with a maxi pad strapped to their fluffy bums and instead, some nice lady in a lab got itchy a few times. This is still within the normal scope of your monthly cycle.
Jade and Pearl Sea Sponge: natural tampons inspired by the traditional use of sponges by menstruating women of ancient times. So if you want to bleed like Cleopatra, this is your bag. The Egyptians invented the tampon too – so you can thank them for that little wonder. Sea sponges are available in Teenie, Regular, and Large and you precision(?) fit to size by trimming the sea sponge and experimenting with insertion. Wow. Try not to think about doing dishes or wiping counters or a nice hot sponge bath because really, I can’t see how this is either sanitary OR relaxing. So Sally, if you’re worried about sullying up the seashore, (welcome to my new menstrual tongue twister) this is all the rage amongst mythological aquatic creatures. Apparently, sea sponges are what mermaids use.
Menstrual Cups – i.e.: Diva cup, Mooncup, Instead Softcup, Lunette, Keepercup, LadyCup, Femmecup, Miacup: Ok. Here’s where I drawn the line. This ain’t a Dixie Cup, or a Sippie Cup, a Tommee Tippee Cup or an Ice Cream Cup. This is none of those fun, sweet, childlike associations. But I trust you probably got over that the first time you sprung a leak and wrecked your favorite Underroos or your expensive lingerie for failing to count the days. Maybe I just haven’t been brave enough to go with a new, miserable experience, but let me get this straight . . . i fold a plastic, rubbery cup into a jelly roll, insert this, it pops open like a tulip, I “stir” it around to make sure the umbrella’s been fully deployed, which may take some coaxing and pushing and twisting, and then I pull it out by its dangling tail at intervals, wash it and reinsert it like tiny, portable Tupper Ware?!?!
Oh, hell no!
I am not about to wash my snatch basket in the sink (and carry special, mild, perfume-free, hypo-allergenic fem soap) in between classes or you know, when I take a restroom break to freshen up while out to dinner. I mean, how does one do this discreetly? Oh, and once a month, I get the distinct displeasure of a 5-minute boil for my little traveling jellyfish at the end of the cycle in some dedicated kitchen equipment that never sees food. Or, hey, I can use rubbing alcohol (and not hydrogen peroxide) to sterilize it. But I have to be extremely careful not to soak it too long and allow it to dry completely and not degrade the integrity of the plastic and rinse the residue so I don’t fuck up my vaginal pH.
O.B. tampons sounding better all the time, huh? Can you imagine wringing out your sea sponge? Wouldn’t you rather “touch it” now?
Go With The Flow
There was a time when i worked at a place so uptight, they wouldn’t allow the female staff to carry in a purse. Whether this was for security or to keep outside worldly distractions such as cell phones to a minimum was unclear, but the idea completely incensed my friend Nicole.
“What?” she snapped. “Where are you supposed to carry your tampons, up your ass?”
I explained to her how bad the work environment sucked and how tension and impossible precision reigned, thus, the topic of anal retention seemed a very fitting description. The job had me so upset, i couldn’t poop for a week. Then I quit.
And many light flow days from then, here I was on a Wednesday nite, standing there in the supermarket isle, paralyzed by too many choices and horrible, far-reaching consequences of those attempts at informed decision. There I was: hungry, cranky, wanting ice cream and a heating pad at the same time, thinking about plumbing, and ocean waters and marine life and cancer of the Yoni.
I turn to the woman next to me who is clicking and sucking at her teeth in audible consternation, just like me, and we both smile nervously, amazed at the mini internal crisis over what we’re going to buy. Neither of us will move first, both seem to be wondering how the other will select, looking for a brave trend to follow. Somehow, there’s a preposterous sense of worry over being judged, like bringing a film or a music cd or a book to the checkout clerk, the fear of choosing poorly, unwisely, without taste or sensibilities. “Hmmm,” she says. “Yeahhhhh,” I mutter slowly and drawn out. And we both start giggling.
My cup of joy is overflowing
I consider my internal flowchart for assessing absorbency needs:
junior – aww, isn’t that cute, you inked!
light – Miss Kitty has a nose bleed.
regular – oh, yay. my period’s back.
super – omg that’s a lot of blood.
super plus – jesus, maybe you should go to the hospital!
ultra – uhh, I think that blood clot just asked for a cigarette.
I am looking for regular. Just something in between, just a few tampons, a starter pack, a holdover since i don’t see any of my normal go-tos. And all they have is “a mere scratch” or “Carrie – Prom Scene.”
So I think of the dolphins and the salmon and the seabirds and i grab the 10-pack with the small, recyclable cardboard box and no applicator with the green looking package and eco-claims to fame and the woman next to me does the same. Just enough to soldier on.
It’s all I can do, really. If I don’t want to leave with anymore acronyms. Say, add PTSD to my PMS. Christ Almighty in a hybrid – i can’t even BLEED with out feeling guilty about it in my new sustainable world concept! I leave with my chlorine-free, biodegradable, non-applicator, no plastic, rayon-free tampons and my razors (which are free from animal testing) and a pint of, yes, sorry, blood orange sorbet, and it’s a good thing. While I’m happily eating my cool treat, I don’t need to imagine poor, naked bunnies hopping around with razor burn and nicks with only a maxi-pad to keep them warm. And after all this guilt, I just want to sandwich a washcloth and tuck it in my drawers or just sit on a sock and call it good.
The single life. one, long, nocturnal highway punctuated by a series of sort of happy zen moments, mostly spent, understood and eventually, at the end of the day, savoured alone. a long rebuilding and recollecting of the self-same parts gone missing, redistributed amongst friends and the short-lived lovers who would not, could not pass muster. being single is like constantly advertising the “me” product when it’s still in upgrades while also having to sell insurance on it. “Hey – look, if you don’t buy this ever-developing thing and protect your investment, it could end up broken/ruined/dead. and no one wants that to happen.”
Some people are never better, never more attractive, self-contained and complete than when they are single. still others are needy, greedy vacuous, emotional suckholes of doom, spinning out like a constant slow-motion car wreck that you can’t help but turn away from. or watch intently. They hang on the next lover or emotional contact like their last meal – slathering on the butter and scraping up the crumbs even after the bread and the baker has up and fled. lust-dealers. killers. short-term serial monogamists who poach at any small game instead of waiting for great hunt and the big (right) catch.
Still, for me, the single life was a strange and glorious one marked with self-discovery and self-satisfaction and the time to write it all down and reflect. and i write this now, not to scare anyone into thinking i miss being single because, in oh-so-many-ways, i don’t. also, i do not intend to make mean or light of what single people, especially women endure to find a suitable lifelong love and all the tiresome expectations and pressures that go along with it. i write it now more as an epitaph to the life I led before and left life, singular, for life, coupled.
The coupled life finds its satisfying breath, its reflective homage basking in the light of the other person, and thus, like a mirror, in the best reflection of the self. “hey baby, you make me not only feel good, but look good too. in fact – i like the way i love because i love you and i love me too.”
Both exercises in singularity and coupledom allow for the same Narcissus to bloom, and the Echo of the self to end. There is within all of us, simultaneous urges: we want desperately to be noticed and needed and also, not be too conspicuous and to be left the hell alone. As one, you can find peace and stillness but, i’ve discovered, you can find it also as two and it’s a lot more meaningful and fun when you can turn to the other person and exclaim, “wow, did you SEE that shit?” suddenly, all those universal signs you look for, all the hidden text and life’s directional maps are no longer for one to decode. the synchronous workings of a gorgeous love affair and the cosmic stamps of approval come trickling at first. they begin in days long conversation where you discover all the uncanny similarities in taste and preoccupations and decide you’ve been separated for too long and are just now making up for lost time. then the fullness of it comes flooding in under the guise of divine and perfect love making and you find yourself practicing and partaking of each other until you fuse together. it’s a blissful time of unraveling.
When you’re wrapped up in your oneness, it seems like everyone knows your business, while in duplicity, like a twin-secret, only the other knows. or whomever you tell. having everyone know your business makes for good storytelling, though. every nite of your life is being courted at a costume ball of strangers on Halloween. which makes dating rather like trick-or-treating. and you think you’ve arrived because the band knows your name and they play your song when you make an appearance and the bartender knows your drink and you find yourself eating candy necklaces off the roving necks of a gaggle of girls in a bachelorette party, hoisting blow up dolls named Ramone over your head, drinking free champagne and sent drinks, guessing the weight of a lobster and winning dinner, ghost-chasing, line-dancing, boardwalking, tripping over the sidewalk and losing your glass flip-flop and the Prince Charming purported to return that missing shoe turns out instead to be your slightly annoyed neighbor who heard your giggly drunk ass cry wee wee wee all the way home and now stands on your doorstep, waking you from your mean hangover if only to be satisfied to see your face, swollen with sleep now just as disturbed as his was. and that’s just one Saturday nite at the bar. oh dear. how very common.
All wild nites not-withstanding, i worried for a time that i was, as i am fond of saying, slowly “cultivating my crazy cat-lady mystique.” luckily one of the qualifiers is four or more cats, so having only one, i was down a few felines. i never feared i might not be taking myself seriously and having too much fun – i feared that i would take myself TOO seriously, and dive headlong into a career of sorts and dry up inside, reverting instead to buying my own chunk of real estate and feathering my nest, collecting things and blocking out every chance a man would walk willingly into my life or personal lair of accomplishment and acquisitions. i kept my life wide open in hopes that i would be more malleable and mutable when i did find love.
This philosphy of life and my adherence to it developed partially after visiting the home of Madison. My friend Marcy was house sitting for “Madison,” who lives in this sort of, as best as i can describe, Victorian home in Annapolis just a few blocks from where i used to live. Here’s the picture: a fine array of authentic, extremely antiquated French Provinical furniture including wing back chairs, burgundy crush velvet couches and throw pillows that have undoubtedly housed and fed generations of dust mites since 1865 which now sit cool and still like taxidermied trophies. i kept imaging all the smallish bodies that have swooned at their bindings and draped themselves across the chairs and sofas and wondered if it’s me, despite my narrow frame, that would make the legs finally give and render one of them no longer sitworthy.
The bathroom boasted plates from old nature books of flowers, the walls and tables displayed photos of ancestors that may or may not have been hers. vellum lamps with scenes of indeterminable French countrysides and waltzing partners lit the rooms with the dim yellow of sallow skin. vanity tables with wash basins & pitchers sat dusty, unused and waiting, as did perfectly displayed bone china tea sets and house plants that looked like they’ve spent some time traveling and growing in many many windows. even the dishes that sat behind the glass cabinets like ladies in waiting in the only modern room, the newly remodeled kitchen, were in contrast, quite old.
Although warm looking in texture and color, the house was more at museum and mausoleum than a collection of sitting rooms. at any time, i expected Abraham Lincoln or Elizabeth Barrett Browning or some long dead ghost to traipse through the room, straighten their suit jacket or skirt, sit down with a swan-like flourish and engage me in parlour talk. After all, mourning and preparation for burial of the deceased were occasions for such a place, the parlour which we now call the “living” room. Being there amongst all the antiquities was a transporting feeling, time out of mind, but NOT in that way that a room textured in burlap and velvet and heavy silk and gold framed photos and plants should. it’s more like you have just crossed the forbidden velvet rope in a historical period museum display and sat down in your dusty blue jeans and wiped your funnel cake and ice cream coated hands on the drapes and marveled at how dainty and formal everything was.
It felt sacrilege to have the tiny tv on in the room, which i think might’ve been black and white, but perhaps i am embellishing here. It was tuned (poorly and perhaps not by cable) to CSI, but Marcy insisted on finishing the episode about the triple homicide, which also made my mind wander to who may have been killed around this furniture and if black lights would reveal blood or cat piss or bone fragments or . . . so i suggested we turn off the tv after and listen to the new Fiona Apple, Extraordinary Machine which worked well for atmosphere what with its galloping calliope sounds and carnivalesque piano and spare strings and bell-like instrumentations.
Lyrics came pointedly,
“If you don’t have a date,
Go out and sit on the lawn
And do nothing.
‘Cause it’s just what you must do
And nobody does it anymore . . .”
While the music played, i made do with the tea to enhance the mood and we thumbed through magazines and books and sat quietly listening.
Madison has two cats – Lili, a squat, rotund, grey, black and white tabby with bright, gold eyes like doubloons and a very timid voice. Meow comes out a squeaky, whispered “meert.” Then there’s Henry. A lion lord, red, furry fuck of a cat. Henry decided we were great friends and so Marcy observed and laughed (thankful it was not her this time) as he climbed the back of the couch, sat behind my head, purred directly in my ear, then began to “groom” me. He would grab a mouthful of my hair and bite at it, like a little monkey, then pull it through his teeth and gnash a bit. And he’s strong – so my head went back some with his tugs. Really amusing, a little unsettling, and oddly relaxing too.
i hope Marcy is not offended that i should offer up her long-single and very successful, well-educated, well-read and well-traveled friend to the chopping block as an example of the woman i was most afraid of becoming. Because re-reading the above sentence, most of the qualifiers seem pretty desirable and difficult to attain ideals, but concentrate on the introductory statement – “long-single.” something went just a little horribly wrong there. Madison, upon meeting was not so much the graceful, distinguished lady at court in her home as she was the shrewd and tense rabbit, quick on her heels and ready to bite, with little provocation. i wondered had she been married? had she any children? i mean, she didn’t need to have any historical evidence of men in her life, was she instead just a closeted or outed lesbian? was she just unhappy or happy being alone? how did she afford all this strangely lavish but lovely nonsense that padded her home? did she actually sit at that vanity table and comb her hair 300 strokes until it was a groomed horse tail or 500 strokes later, a fine, fox pelt ?
i padded out the door that nite into a light and thought-provoking drizzle and thought about old things, like writing letters to send to friends the old-fashioned way. i even purchased a wax seal with a golden bumblebee and some silver sealing wax.
i actually like sending letters and cards covered in stickers and random doodles or decorations. sometimes it is artwork or pasted text of my own or words cut out from places. the recipients always enjoy it and it’s a nice labor of love to send something homemade to friends. the art of letter writing is not dead, it is just somewhat supplanted by email and phonecalls, so i like the exercise of making a compact hello and keeping it light and cheery with a little bit of news, anecdote, story, mention of old, good times and promise of new ones. and always . . . always love at the end.
i have these friends who we tell each other that we love one another at the closing of letters and phonecalls, not just when we do something nice that pleases us. i’m always so happy when i reach the point where we can express that with people we aren’t actually tethered to sexually and mean love not as salve and bandage or frosting and fluff or wax seal of official business and stature of the relationship that when forgotten to be said or non-exchangeable or refundable becomes grounds for hurt feelings. there is proper etiquette for courting, but it’s all long since vanished so we should all just shrug and give into loving with abandon.
it’s easy to stay frozen in time, to accumulate goodness and sameness, to work on a theme, to breed familiarity and then forget to stay in touch with the current. it’s much harder to start over and reinvent and reinterpret and rework and redecorate. well, unless you consider Madison’s house, then yes – that place could use some new, infused love. unconditional, wildly colorful, moist, biker leathered and Victorian laced, ginger-flavored, spicy, whip-cream, lathered love.
Because damn, if you don’t use it, the source of the well runs dry, sister. and people start dredging up the old names, and tossing them out of the bucket, even for a modern single woman: Spinster, Old Maid, Crazy Cat Lady, Witch. i certainly didn’t want to find myself walking along and suddenly hear a tinkling, clattering sound as my shriveled up cooter dropped out and skittered along the pavement like a wheat penny. “This belong, to you madam?” “Why yes, it did, but i’ve forgotten all about it dear sir! thank you ever so much for reminding me.”
And if you get to that point, honey, close enough to need whetting, they’ll be no more fucking around – it’s time that you had a ravishing laid upon in the manner of a mongol horde. And if you’re wondering how the mongolians do it, they don’t barbeque you before they screw you, it’s done in big groups, with horses. just like some of the freakier Victorians did as a backlash to all that propriety.
But it’s ok – i’m no stranger to odd voices and old muses. i should explain sometime about how i see (channel) writing and how i have a few special guest stars who visit and stand in and they have very distinct voices. one muse who occasionally enters the vessel is a familiar – she’s that sloppy, silly little tart who has no regard for punctuation and lays in bed and eats chocolate covered shortbread cookies and gives me pimples from all the sugar and likes the smell of lavender and of rose water because it reminds her of Victorian times and flush, pinched cheeks and corsets and outrageous shoes defying height and comfort and daisies and lace doilies and hard candy in crystal dishes and salt water taffy from trips to the boardwalk and somehow, she does always come back around to sugar and scent and will stay up to watch the sunrise to prove a point. once she told me to write:
“i like watching a sunrise as it goes from a bruised black-blue purple, to cranberry red, to a smoky salmon color, and then onto a misty yellow, like the inside of a lemon rind with patches of high white, then transitioning back to pale blue. It’s like peeling back the layers of a foreign fruit or pushing something inside out until it yields the thing you know it has tucked away and want to see. Sky surgery. Post-mortem of a long, dark, tangled enchanted night.”
And since i met Joe, he’s been my twin half sharing many long, enchanted evenings. some to include firesides and brandy and all the finery and a spot of world travel and a good amount of wine and a multiple spots of tea. i haven’t written in so long, yet – so much life has happened. and over the series of a few installments, so your eyes don’t hurt and my topic doesn’t wander off course, i’m about to tell you . . . as a newly reformed single-minded but deliciously happy Spindle Maid at the loom.
I am breathless knowledge and light.
I use my fingers as eyes and keep my hands behind my back,
can you imagine all that I have seen?
I am tall enough to listen to Gods who are distant and removed
I am low enough to swallow mouthfuls of Earth,
tasting the Gods we all have buried.
I am here now and I will come by knowing you.
And yes, then, I wore red cloak and spoke
with a tongue that knew your name.
But I eat only what I am hungry for:
tasty, white prophecy.
I regret no words that speak for you,
from them I am created.
I will go only where I am sought after
and with me I bring whispers.
On my feet will travel stories of a thousand couplings.
My ring, your fixed attention please.
I will make you remember all who you have tangled with,
every street where you were kissed.
I will not wait on excuses or under false pretenses.
I hurt for you where moments string out and break
like beaded necklaces.
And in a world of upside-down
where those thoughts fall into
the branches of trees,
I will hunt those droplets out,
I will climb there and collect them for you.
And when it is night, I will swim far into your rainswept dreams
and spill them into your hands.
Anthos had been
when i awoke
keen to the ground.
My hair fallen lush
over the grass
my mouth wet
with unspeakable ghosts
as i had been feeding on flowers
heavy with the sap of a woman’s intent
and with affections for
the amorphous stranger.
i can now twine my fingers
into the stems
push my knees into the earth
stretching here forward
feeling the nine-days wonder
gathering the texture to my naked
i am learning.
The Beaujolais waits nearby,
a helpless nectar on its side.
The sweetness lingers past
from where i breathe
to where i remember
the depth of you and the face i haven’t seen.
The light returns
i cherish our exchange
wait for seven days to evaporate
and hungry for the rain.
sure, everything is good when it’s shared. especially meals. food. wine. some would argue that it’s most depressing, cooking for one and eating it alone.
i don’t know about that.
i like coming home to a clean kitchen waiting for things to be made hot and messy and for new scents to arise from the nothing. if it reads like i’m trying to make it sound sexy you’re right, i am, because – it is.
sure, everything happens in the kitchen of a house. especially conversation. food. wine. updates. but left unhelped, undistracted, i can turn on music that fills the room, sing aloud, sway about, chop through vegetables, heat butter, stir sauces, all the ever meanwhile, sipping on the vino du noir. the fine wine selection of the nite.
cooking is magic – it’s alchemy, and baking is wizardry too. you can really fuck it up at any critical juncture. souffles fall into mush, cakes plummet and become bricks, butter and flour-sifted pans scorch, eggs turn green and brown, pasta goes the other direction from al dente to dental work. it’s all very much finesse. there’s an awful lot of appreciation and pre-fabrication that goes into a really good meal. and i’ve thought and written much and ranted about it here.
and it’s easier to pay attention when you’re left alone with the matter at hand.
last nite, i had eggplant parmigiana, a salad of cucumbers, grape tomatoes, chopped cauliflower and broccoli with a Tuscan dressing, fresh olive bread and a Cabernet that’ll curl your toes. it was a meal to savor. hell, i even considered seducing myself into bed.
but before all of this, 3 ripe mangos sat, smothered in a plastic bag and i could smell them as familiar and wanton as the skin at the nape of a lover’s neck. i had to make one an appetizer.
sure, there are many ways to cut, to peel, to dice, to eat, to devour a mango. but i found the best way yet. quietly, softly and alone. everyone’s so worried about getting messy yet just as much concerned about the proper way to get the most fruit out of such a luscious creature. so i take my mango to a place where i can truly enjoy it with abandon.
here’s what i found is easiest . . .
+ take the mango into one hand. observe how it’s like a self-contained traffic light. red, amber, green. now GO! bring the skin up to your nose and inhale deeply, appreciating what’s just beneath.
+ get a good paring knife out of the drawer and slice it not around its waist, but head to tail, lengthwise, running the blade deep along its walled pit until the incision meets the stem at both sides.
+ cup the mango in your hands and gently twist the half-moons of its newly separated self back and forth without pressing or bruising the flesh just enough to yield a little juice.
+ starting with one half, you’ll find the skin wants to peel back now. do so in long slender pieces or if you are lucky, the whole side will come off leaving only light strings and a very thin layer of fruit on the back of the skin. throw these away and move towards the sink. or if you must, put a towel down on the counter for now the true and rewarding work begins.
+ hold the wet fruit in your hands as if it were a little ball, a glass ornament, an empty hand, a naked lover and bring it to your mouth and eat it as if you were just learning to kiss for the first time. bite, pull, suck, come up for air here and again and don’t worry about the juice running down your forearms as you can lick or rinse that off later. continue this, allowing yourself mutterings and mumbling mmmmmms of pleasure and succulence until you are down to the bony pit at the center.
+ wash your hands, pat them dry, drink a warm glass of water. smile.
“Shall I tell you something?” asked Pinocchio, who was beginning to
lose patience. “Of all the trades in the world, there is only one that
really suits me.”
“And what can that be?”
“That of eating, drinking, sleeping, playing, and wandering
around from morning till night.”
“Let me tell you, for your own good, Pinocchio,” said the
Talking Cricket in his calm voice, “that those who follow that
trade always end up in the hospital or in prison.”
~ The Adventures of Pinocchio – Carlo Collodi
::: ::: ::: :::
“How mutable are our feelings, and how strange is that
clinging love we have of life even in the excess of misery!”
~ Frankenstein – Mary Wollstonecraft Shelley
::: ::: ::: :::
my life is full of wooden boys,
an onslaught of Pinocchios.
liars with long noses to hang
a hundred stories on.
heads on swivels, arms and legs
bendable, poseable into human
machinations of affection,
no strings attached.
“First the Medicine
and Then the Sugar,
Oh no no, first the sugar
and then I promise…”
and me, i want a real LIVE boy.
so tired of the paranoid android
who longs to feel emotion
but expresses it in private brevity:
the mechas simulating sex
with the orgas who can sleep
delving the deep underwater
dreams of The Blue Fairy.
a motherless creation is inevitably
monstrous, so please pardon yourself
for this intrusion in advance . . .
with blinded sight i might ask, why do
i attract the transitional and not the intact?
my modern day Prometheus,
if you love like a cadaver, cool and pale,
it will take more than four elements,
more than stealing fire from the gods to
set me alight. you teach me your alchemy
then snuff me, a red taper beneath
a black bowl if the beaker should boil over.
i will not piece together flesh nor hack
a branch from a tree and call it life.
i will make firewood of you, boy,
have the cat make sawdust of your feet.
love makes a wooden boy real,
kindness makes a monster human,
i will be your Pandora, but i will not be refused.
my dowry is this box, and the last of all gifts
in it, is my hope.
lap at pudding
hero-worship is healthy
and you can paint yourself
in new, glorious colours
and concrete, statuesque
make certain to be
an audible soul.
take great strides to be pure
exalt in your pleasure precision
use your fingers as eyes . . .
throw back your
with the laughter of nymphs.
. . . be sure to taste like tapioca.